A Quote by David Shields
I'm really drawn toward work that is trying to capture what it's like to think now and to live now.
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I live for the moment. I'm basically a Buddhist-type person. I'm just here right now, and I don't think about what's going to happen a hundred years from now. I try to concentrate on what's going on right now. But I'm really trying to run this company like it is going to be here a hundred years from now. That's what's important.
Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
Some artists get so comfortable now after even one or two albums and think, 'I'm the biggest artist in the world,' but it's like, yeah, you are for now, but you've gotta work so that you're remembered further, and that's what I'm trying to do.
I do think American culture has shifted a little bit away from the contemplative more toward the visual, more toward the emotional, and more toward the expressive. I don't think there's a lot that can be done about that. We just have to understand that it's the product of technology and of the way people live now.
When I was younger, I was like, 'I'm working now, and you go work.' That was all I knew, because I was trying to keep my head above water. Now I'm more willing to say, 'Let's do our work side by side and cooperate.' That's really difficult to do in this sport sometimes because it can be so individualized.
I have to think about the future because, not that I'm bored with it now, but I can't live now, it's not my place to live now. I've got to live ahead of myself.
Human consciousness is now being drawn inexorably toward the same issues, the gaze of collective attention focused like never before.
When you're on tour, you're trying to get the crowd involved and really sing and perform to them. When you're going to write and be in the studio, it's like, 'Now I have to think about me.' That's the mind-set you have to work with.
I think, in a way, I've returned to who I used to be as a global correspondent whose life was devoted to really making a difference, illuminating what's happening in the world, always drawn toward the suffering of peoples and cultures and exposing exploitation and injustice; but now I'm the same person in a much, much softer iteration.
I really know what it's like to work and live every moment now, and I'm really grateful for that.
Social media, it's a minefield! Technology is moving so fast right now. Everyone is scrambling around trying to understand what it means to have an avatar, how to live our lives on the internet, what it means for privacy, for citizens of a political universe. I think that we're trying to find rules now, as we speak, and it's difficult. But, like everything, the internet is an incredibly powerful force that needs governing - not to restrict our freedom, but to protect people.
That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well.
I think that the divorce rate's over 50% for a reason. I don't think people are taking enough time now to really see if they can make it work and live together.
So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
I would say that an RFC-like thing might make sense. I probably would do it myself. But I don't think trying to combine that with what's going through now, I think what is needed now is liquidity.
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