A Quote by David Shrigley
I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
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I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
Actually 'bad' doesn't do justice to my handwriting. Neither does 'handwriting.' 'Desecration of paper' about covers it.
As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write.
Format is just the language. Content is the only thing that is important. Form is like handwriting. Whether you write in a scribble or clean handwriting or type it, the content remains the same. You want to write in clean hand, in a kind of a clear format only because it is aesthetically pleasing. I can scribble, that's also fine.
Approximately 400 cuts - that would make 25 percent of the total - use CGI. I worked on the Steamboy's animation production based on the usual handwriting method. Digital animation is just supplementary. I didn't do anything surprising, because the idea is to overcome the limitation of expressions done by handwriting with the help of CGI.
Write it down in your own handwriting.
I remember as a child I just would copy everyone else's handwriting, and now I have sort of a version of my sister's handwriting. And I feel like - sometimes I feel that way for my voice.
When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.
I don't use any fance quill pens or pads, because I can't read my own handwriting. I just use whatever computer is laying around, and start writing.
I'm shocked and surprised by people that are shocked and surprised that certain things in life are made up or not as true as you might believe them to be.
Sending a handwritten letter is becoming such an anomaly. It's disappearing. My mom is the only one who still writes me letters. And there's something visceral about opening a letter - I see her on the page. I see her in her handwriting.
I am a night creature, and I write from midnight till dawn, secluded in my office and surrounded by my collection of dragons (I have 400 of them). I only use Macintosh computers, which I name in dynastic order. Right now I'm using MacDragon 5. Only the devil is able to decipher my handwriting.
The only thing most people do better than anyone else is read their own handwriting.
Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad.
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