A Quote by David Simon
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
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Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
If having a story that's compelling - you want to know what will happen - is traditional, then ultimately I am a traditionalist. That is what readers care about. It's what I care about as a reader. Now if I can have that along with a strong girding of ideas and some kind of exciting technical forays - then that is just the jackpot.
I was watching 'Pulp Fiction' when we were making 'Now and Then'. I didn't care about 'Now and Then,' you know?
Every now and then I think about my own death, and I think about my own funeral. [...] Every now and then I ask myself, 'What is it that I would want said?' I'd like somebody to mention that day, that Martin Luther King, Jr., tried to give his life serving others. I'd like for somebody to say that day, that Martin Luther King, Jr., tried to love somebody.
Ultimately, leadership is not about glorious crowning acts. It's about keeping your team focused on a goal and motivated to do their best to achieve it, especially when the stakes are high and the consequences really matter. It is about laying the groundwork for others' success, and then standing back and letting them shine.
In an archery contest, when the stakes are earthenware tiles a contestant shoots with skill. When the stakes are belt buckles he becomes hesitant, and if the stakes are pure gold he becomes nervous and confused. There is no difference as to his skil.
Somebody once said that Hollywood is based on a lot of producers deliberately making bad movies, and every now and then somebody gets lucky.
Your agent or manager tells you. They go, "You're out. They're gonna get a new guy." But then I didn't feel bad. I didn't take it personally. Not that I'm competitive at all. But you have pride in that, you know? You want your ratings to be good. But now that I'm 62, I don't really care about the ratings. I don't care about the reviews. I care about the work, and I care about the people that I'm working with, and I try to make the experience for them and myself as good as it can be.
Those are the stakes that are constantly there and how do those stakes change you? How does that change the person you are? If it does just turn out to be about survival then is that living? How does that make you, you? How does that change your identity? That picture of the governor, his wife, and his daughter, he wasn't that guy before this all started. People dying around him changed him into that.
High stakes, low stakes, poor or rich - people will find a way to gamble.
I used to sports gamble a lot and I was getting killed on that but then I found poker and really enjoyed it. But it was a hobby more than anything else. I played it every day but only on pretty small stakes.
'Zero Dark Thirty' raised the stakes. It raised the stakes in cinema, man. I don't think people really know how to grasp what type of film this is.
I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
The '90s period I just miss because it was such a great time and the music was just so electric. Everybody just had to bring their A-game back then because everybody that was, you know, a big influence...they were on the charts. I bring that era with me everywhere I go. I care about every word I sing. I care about every move I make on stage. I care about the fans. I bring that with me to the present time. And then, when you're timeless, you can work in any time.
The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
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