A Quote by David Small
I'm not a writer. I know a lot of writers; I know a handful of really excellent, great ones, and I know what they're like. They are in love with language. They're obsessed with it. Even if their thoughts aren't more special than anybody else's, they have a way of putting them into words that makes them sensational.
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As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
After the first glass of vodka you can accept just about anything of life even your own mysteriousness you think it is nice that a box of matches is purple and brown and is called La Petite and comes from Sweden for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny. And I discovered a lot of great writers that went on to do a lot of great shows like 'Seinfeld,' 'Friends,' you know, 'Three and a Half Men.'
There are a lot of people - and I'm not talking about elected Democrats - there are a lot of your fellow citizens - you don't know them, you don't know where they are - but there's many more of them than you know and realize, and they revel in all of this. They love the chaos. They love the majority being disturbed, bothered, shaken up by it.
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
There's nobody who knows the left better than I know 'em. I know the left like I know every square inch of my gloriously naked body, not just the back of my hand. I know them. I know them better than they know themselves because they refuse to be honest about who they are really are and what they really believe, but I am.
If you know that all is well, you know all you need to know. And if you know life is supposed to be fun, you know more than almost anybody else knows.
I like words and numbers. I'm obsessed with them. You know, I think I would've been a mathematician had I kept up, but it's the stuff in your head, you know? It's like being technologically adept. You have it or you don't. You can learn it, but some people just have it. They go to sleep, wake up, and know everything. I like games, too. I love playing games.
I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
Before a game, you know, I can take off my helmet, run over there and spend a few moments with someone who is dealing with so much more than I've ever had to deal with and to love on them and care about them and in front of thousands and thousands of people, you know, let them know that they're more important than all of this.
What I know is the characters in a Southern town. I know the cadence of the language and the voice of Atlanta because I've lived here for so long. And I know the neighborhoods, and I hopefully know the people, and I feel a connection to them. And I also feel like I'm honoring them when I talk about them.
I know I mispronounce things constantly, because maybe I read more than I talk, but I don't know the proper way to say a lot of things, even though I know what they are. But then I know I look like a moron.
We actually have some gay people that work with us, and we have a lot of friends that are gay, too, and I know that this song has inspired them... I know that coming out was tough on their parents and on them and the whole entire family. For a long time, some of them didn't get to hear 'I love you' from their dads or be accepted in that way. ... It's helped a lot of our friends... We don't judge anybody's lives.
These glorious things-words-are man's right alone...Without words we should know no more of each other's hearts and thoughts than the dog knows of his fellow dog....for, if you will consider, you always think to yourself in words, though you do not speak them aloud; and without them all our thoughts would be mere blind longings, feelings which we could not understand ourselves.
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