A Quote by David Soul

Paul and I were both struggling actors. One night he would serve me in a restaurant, and the next night I would serve him. It was what out of work actors did. — © David Soul
Paul and I were both struggling actors. One night he would serve me in a restaurant, and the next night I would serve him. It was what out of work actors did.
Robert de Niro has always been fascinating to me. And if John Cazale were still alive, that would be a man I'd love to work with. I'm a big fan of Paul Thomas Anderson's films - I would be honored to work with him. I think he's a brilliant director, and he gets such compelling stories out of his actors and out of his crew.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
When you're trying out on Broadway, it's very hectic, and you're making changes night after night. There's a lot of pressures from producers to make some changes, and you're writing for actors who are in it - and sometimes the limitations of actors who are in it.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
Most actors and actresses are performative as people. It goes part and parcel with the profession and New York actors who are out of work, or actors anywhere out of work, are manic because you never know when the next job is going to come.
We started out as actors. When we were coming out of high school, we didn't want to be struggling actors, and - I remember the conversation - we were like, 'Let's invest in real estate!'
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work.
Were he supreme, were he mighty, were he just, were he good, this God you tell me about, would it be through enigmas and buffooneries he would wish to teach me to serve and know him?
An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.
The only Shakespeare I ever did was a production of 'A Midsummer Night's Dream' two years in a row in my garden in Rockland County on the Hudson River in the 1980s. I had all the actors from the Actors Studio come out, and we made our own costumes.
The only thing that I would say to anyone doing late night shows is - it took me a couple years then - but when you leave the studio, it's over. That's what you really have to do. After a long time, I would be like, "Maybe I shouldn't have said this," or "Maybe I shouldn't have shown this." But eventually, I got to, "Ah, f - k it." That's what it was that night, tomorrow's the next night.
For months before he passed, my dad would have terrible night sweats, and soak through his sheets, often several times a night. Each time, mom would gently roll him over, replace the sheets, and roll him back - then spend the whole next day washing several sets of sheets, only to repeat the routine each night.
It was a strange feeling, filming a night scene in Selly Oak High Street with a television crew and famous actors in tow, when twenty years ago, at that time of night, I would've been stumbling around in search of a kebab.
I think in the past, around the time that method acting became so prevalent, it used to be that American actors were thought to be the kind that would work more from the inside out, and that the English actors worked more from the outside in.
When you work for the C.I.A. or as a diplomat, or serve in the military, you're not serving as a Democrat or a Republican; you serve as an American, whatever your personal moral compass or political views might be. So that would describe me.
Yes is the answer to that question. I've enjoyed being in government... if it would be useful for me to serve I would like to do that. [saying he would like to work for Gordon Brown despite his previous opinions of him!]
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