A Quote by David Strathairn

Film, television and to a certain extent, theater are modern day libraries. — © David Strathairn
Film, television and to a certain extent, theater are modern day libraries.
Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.
What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
I went to a theater arts school, so I'm interested in many different projects, whether it be film, television or even live theater. I'm a performer. That's what I do. That's what I want to do.
I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.
The fact that I wound up doing television and film was just a thing that happened, but I was trained for the theater, and what goes on in the theater has nothing to do with special effects.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
I think theater is very much my natural home. But the truth is that the older I've got, and the more I've written film and television, I find it incredibly hard to write theater.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
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