A Quote by David Strathairn

If anyone was talking about journalism in the '50s - it was Edward R.Murrow. — © David Strathairn
If anyone was talking about journalism in the '50s - it was Edward R.Murrow.
In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'
In the US, the 50s and 60s marked the documentary's golden age, especially at CBS, where pioneering televison journalist Edward R Murrow, immortalised in George Clooney's Good Night, and Good Luck, produced such landmark investigations as the CBS Reports programme Hunger in America.
With "Good Night, and Good Luck," I think it's kind of obvious what [Truman Capote]'s getting at there, and the importance of how it's playing out today, that is journalism doing, are the journalists doing their job, are they being the other checks and balances in our country that the way that obviously Edward R. Murrow was back then.
The political vibe of late-'40s Hollywood through the mid-'50s is something we're seeing a lot of echoes of right now, and in a scary way, where I'm wishing for an Edward R. Murrow to stand up and start somehow calling people on stuff. But as far as the way the industry works, I feel like we're in a place where you see companies slowly moving back to only doing their own stuff.
I worked for CBS News in the aftermath of all the greatness. I actually brought coffee to Edward R. Murrow.
Putting people in a room and strapping wires to their wrist to find out if I make them tingle when I'm telling them about Beirut is a long way from Edward R. Murrow.
My journalistic heroes are Peter Jennings and Ted Koppel and Tim Russert and Edward R. Murrow, among others, because they were tough.
The script for this film was written 52 years ago by Edward R. Murrow, who taught us many valuable lessons about responsibility and always, always questioned authority, because without it authority often goes unchecked.
Anyone who has problems, or worries, anyone who laughs and cries, anyone who feels can write. It's only talking on paper... talking about the things that matter to us.
I would probably never be able to do anything interesting or special like Edward, Alice and Jasper could do. Maybe I would just love Edward more than anyone in the history of the world had ever loved anyone else.
I'm delighted to carry on in the tradition of the great reporters like Edward R. Murrow, Ernie Pyle, and Geraldo Rivera to probe vitally important issues of the day, starting with whether I'm Hispanic or Latino.
Most people would think if you're the prime news anchor, then you should sort of be this Edward R. Murrow, Clark Kent guy with the family and 2.5 kids - or the perky, cute yet smart Katie Couric.
Anyone who does investigative journalism is not in it for the money. Investigative journalism by nature is the most work intensive kind of journalism you can take on. That's why you see less and less investigative journalism at newspapers and magazines. No matter what you're paid for it, you put in so many man-hours it's one of the least lucrative aspects of journalism you can take on.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
I did my teen-age years in World War II. War news was a constant. We kept the radio on in our house to hear Edward R. Murrow broadcasting from the rooftops of London, describing the blitz.
I don't want anyone hacking us. And I'm not only talking about countries. I'm talking about anyone, period.
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