A Quote by David Swing
As the highly colored birds do not fly around in the dull, leaden plains of a sandy desert, but amid all the settings of nature's leaves and blossoms, and lights and shades — nature's framework of their picture — so there are truths which do not appear well in arid fields of philosophic inquiry.
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The luster of diamonds is invigorated by the interposition of darker bodies; the lights of a picture are created by the shades; the highest pleasure which nature has indulged to sensitive perception is that of rest after fatigue.
The jungle which is presided over by Kudu, the sun, is a very different jungle from that of Goro, the moon. The diurnal jungle has its own aspect--its own lights and shades, its own birds, its own blooms, its own beasts ... The lights and shades of the nocturnal jungle are as different as one might imagine the lights and shades of another world to differ from those of our world.
People should relate to nature as birds do. Birds don't run around carefully preparing fields, planting seeds, and harvesting food. They don't create anything . . . they just receive what is there for them with a humble and grateful heart.
Nature: a place where birds fly around uncooked
Again, if the world is destroyed, it must needs either be destroyed according to nature or against nature. Against nature is impossible, for that which is against nature is not stronger than nature. If according to nature, there must be another nature which changes the nature of the world: which does not appear.
The disembodied soul does not part with Nature when it leaves the earth; life but, rather, it rises to a plane of Nature which is fuller, richer and sweeter in every way than the best of which the earth dwelling soul dreams. The dross of materiality burned away by the astral vibrations, the soul blossoms and bears spiritual fruit in the new life.
The inquiry into Nature having thus been pursued nearly two thousand years theologically, we find by the middle of the sixteenth century some promising beginnings of a different method the method of inquiry into Nature scientifically the method which seeks not plausibilities but facts.
According to quantum mechanics there is no such thing as objectivity. We cannot eliminate ourselves from the picture. We are part of nature, and when we study nature there is no way around the fact that nature is studying itself.
To a dull mind all of nature is leaden. To the illumined mind the whole world burns and sparkles with light.
Once you fall, Septimus repeated to himself, human nature is on you. Holmes and Bradshaw are on you. They scour the desert. They fly screaming into the wilderness. The rack and the thumbscrew are applied. Human nature is remorseless.
Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.
I have thought that wild flowers might be the alphabet of angels, — whereby they write on hills and fields mysterious truths, which it is not given our fallen nature to understand.
We say then, that Christianity is adapted to the intellect, because its spirit coincides with that of true philosophy; because it removes the incubus of sensuality and low vice; because of the place it gives to truth; because it demands free inquiry; because its mighty truths and systems are brought before the mind in the same way as the truths and systems of nature; because it solves higher problems than nature can; and because it is so communicated as to be adapted to every mind.
We are always creating new tools and techniques to help people, but the fundamental framework is remarkably resilient, which means it must have something to do with the nature of organizations or human nature.
A highly developed moral nature joined to an undeveloped intellectual nature, an undeveloped artistic nature, and a very limited religious nature, is of necessity repulsive. It represents a bit of human nature a good bit, of course, but a bit only in disproportionate, unnatural and revolting prominence.
Love seems to beautify and inspire all nature. It raises the earthly caterpillar into the ethereal butterfly, it paints the feathers in spring, it lights the glowworm's lamp, it wakens the song of birds, and inspires the poet's lay. Even inanimate Nature seems to feel the spell, and flowers glow with the richest colours.
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