A Quote by David Sylvian

Creating a decent pop song is a challenge - and occasionally, once in every decade - it's kind of fun to do that. — © David Sylvian
Creating a decent pop song is a challenge - and occasionally, once in every decade - it's kind of fun to do that.
We always have a take that's 'one for fun', so once you've got what you need, you can do what you like. Something does occasionally pop out of that tree. I'm always open to ideas.
In every decade rock and roll starts to get very serious and navel gazing and kind of self serious and every once and a while it kind of needs a kick in the pants.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
With 'Torches,' I wanted to make a great pop record; I wanted every song to be exciting, not to have too much space, no long pieces of music without vocals. I kind of wanted to write the perfect pop album.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.
I've just had this idea pop in my head of trying to learn a new song every da, and try and play it that night. That's been fun for me because it's a little bit of a scary adventure, playing a song for the first time in front of people and letting it just be what it is.
If you say, 'I listen to pop,' you picture this kind of perfect, colorful, polished song. I want to have that, but when you open it, you see this gritty dark - kind of like dancing your tears away. Disguise the sadness in a pop beat.
The perfect pop song is about creating a memory.
When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.
I think the music should definitely underscore the sentiment of the song, and it can work for or against it. It has just as much power in creating a kind of perpendicular sentiment in the music, creating a nice friction that also plays up some of the tension in the song.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.
Pop is an easy way for evil business people to make a lot of money. But I find myself humming a Christina Aguilera song every once in a while.
You can't segregate and humiliate people decade after decade without creating long-lasting injuries.
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