A Quote by David Talbot
I know that doesn't sound very radical and webby of me to say that but I think the New York Times is important. I also think there's an occasional piece that will pop out.
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I'm tenacious, I think - I know - and I do also have a quality where if you tell me I can't do something, if I know I can't do it I'm the first to raise my hand and say, 'I can't do that.' But there is a big Bronx, New York Jew in me that just says, 'Really? Really? You think I - yes, I can. I can do it. I can do it.'
I’m tenacious, I think – I know – and I do also have a quality where if you tell me I can’t do something, if I know I can’t do it I’m the first to raise my hand and say, “I can’t do that.” But there is a big Bronx, New York Jew in me that just says, “Really? Really? You think I – yes, I can. I can do it. I can do it.
I know a lot of people have a hard time talking dirty - they dont know what to say, how to start, or when to end it. Also, at first they will think they sound ridiculous. And they might. But let me just say that talking dirty is so important in sex. And its pretty easy. To wit: Establish from the very beginning that you like this. And trust me, you want to do it early on. Because if you wait too long to introduce the concept, your Special Lady Friend will be a little thrown and might not take you seriously.
At the end of the day, I think that music lovers are going to love me. I think the pop songs that are on my album will be loved by the pop listeners and the R&B songs will be loved by the R&B people. I think that each song has a broad enough sound that I won't be pigeon holed. At the same time I think it is appealing to many different audiences.
I think the press, by and large, is what we call "liberal". But of course what we call "liberal" means well to the right. "Liberal" means the "guardians of the gates". So the New York Times is "liberal" by, what's called, the standards of political discourse, New York Times is liberal, CBS is liberal. I don't disagree. I think they're moderately critical at the fringes. They're not totally subordinate to power, but they are very strict in how far you can go. And in fact, their liberalism serves an extremely important function in supporting power.
I don't think you can approach any piece of art with boundaries or rules. I think respect is a very important thing, but I also think what we discover along the way is really important.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
The New York Times had a headline on its website - Trump Turning To Ultra Wealthy To Steer Economic Policy. This doesn't sound very populist to me. Today's commerce secretary, the names being talked about for treasury secretary, I think there will be populist talk but maybe no populist action.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
When I got my very first phone call that I'd hit the 'New York Times' list, I had a small rush of 'I've made it!' But the next morning, it occurred to me I didn't know what it was, so I called my agent and asked what being a 'New York Times' bestselling author really meant. He informed me that I was now a thousand pound gorilla.
I think it's very important, and I think that what young people will learn from my experience is that even presidents have to do that and there are consequences when you don't. But I also think that there will be a box score, and there will be that one negative, and then there will be the hundreds and hundreds and hundreds of times when the record will show that I did not abuse my authority as president, that I was truthful with the American people.
You can take a picture of New York and one person looking at it will think it looks really depressing, frightening; and someone else will look at it and think of all the fun things you can do in New York. I think songs are kinda like that.
But we will play 6, 7 new songs each evening, approximately a third in the concert. I think it's a good balance. It will be very interesting to see the public's reaction. But i think when we'll play the very first new piece, we will be scared.
You're limited to one image, but you can have 50 audio tracks. It's something you'd be foolish not to experiment with. So I'm also very interested in sound that happens offscreen. I think that's a way to expand the scope of the movie. And it's all very planned out from the script stage. For me, sound design is a major part of the narrative. I think that's what makes working with certain people on the producer level difficult.
I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.
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