A Quote by David Tennant

And the very fact of how you speak somehow influences who you are. The way you move, the way you think, it seeps into your being, and it's quite hard to really break that down entirely.
I really can't tell other people how to live their life or how to approach different things. What I can tell them - and I truly believe this, I don't think it's being naïve and I don't think it's being in denial - I really believe that the way you think influences the way you feel, and the way you feel influences the way you act.
It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.
The similarity is that concentration of capital influences virtually everything that goes on. It influences the way the media functions, it very powerfully influences how the government works and it of course influences corporate sector elements, like say how Google or Amazon present materials that reach the public.
...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.
That's my way in the very beginning - how to enter it [a role]. Very quickly in the process, I don't think about voice being separate from the way you hold your head or the way you sit or the way you put on lipstick. It's all a piece of a person, and it's all driven by conviction.
When you aren't drinking or using drugs or spending lots of money on fancy toys or basking in the glow of fame or working all the time or eating your way through the refrigerator, being hateful and angry is a very handy shield from the truth. It lets you focus on everyone else's shortcomings, and all the ways they have let you down. You can bemoan how all these broken people keep finding you somehow. That way you don't have to focus on what really matters -- the tough work of fiing what is broken inside you.
Even when you're acting, you still need to be true to yourself because you don't want to put on a show for the rest of your life. It is a hard way to the top, but it is also very easy to come back down as well. Also, it is really important to keep yourself rested, and whenever you need a break, take a break.
Historically, the idea that you take something novel and you break it has been seen as the ultimate rejection of Enlightenment values, of progress, of civilization - because how could you possibly move forward if you break technology? I think that that misses the point, that if you introduce any kind of technology, what you're introducing is a new way of living and the consequences of that new way of living for people who were enmeshed in a different way of living need to be thought through.
If you are going to think black, think positive about it. Don't think down on it, or think it is something in your way. And this way, when you really do want to stretch out and express how beautiful black is, everybody will hear you.
I have worked really hard to defy categorization, to break down a taxonomy whenever it comes my way.
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
For a young cartoonist, they have to get going on the web, because that's where everybody goes for their information. And it really works. If you look at a cartoon on a computer screen, it really jumps and can be quite effective. I draw cartoons now, not how it will appear in the newspaper, but how it will appear on the screen. I think most of us do. Now the challenge is to make it move and animate it in a very fast, quick way.
There's no easy way around it, no matter how talented you are ... your talent is going to fail you if you're not skilled. If you don't study, if you don't work really hard and dedicate yourself to being better every single day, you 'll never be able to communicate with people your artistry the way that you want!
I think if we really break it down and talk about post-traumatic stress disorder, it`s very different than the way Sarah Palin explained it.
At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.
Somehow you get past languages. I don't speak Mandarin. I don't speak fluent Italian. I don't speak German. But it's amazing how when you need to get something done, it finds a way.
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