A Quote by David Thewlis

I must have read three-quarters of 'Anna Karenina' on my phone. Which might be a record. — © David Thewlis
I must have read three-quarters of 'Anna Karenina' on my phone. Which might be a record.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
You wouldn't read 'Anna Karenina' and try to work on the computer at the same time, would you?
The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.
I went back to Australia to do a show called 'The Beautiful Lie,' which is a retelling of 'Anna Karenina' in a six-part mini-series - a modern, contemporary version.
In high school I read [Lev] Tolstoy's "Anna Karenina" and loved it. Then I read [Friedrich] Nietzsche's "On the Genealogy of Morals" and that hit me hard. I don't know where I got it. My parents warned me not to mention either of those books when I went for my college interviews so I wouldn't seem like an egghead. They told me to talk about sports.
I love 'Anna Karenina.' It's in the top five books on my list. Tolstoy is unsurpassed in combining the grand with the trivial, that is, the small details which make up life.
'Anna Karenina.' I read it in college. I was so engrossed that I couldn't stop reading it and neglected all my other studies. I would go to the library even on nice warm weekends and just lock myself up. I think that was the first time that I felt transformed by a book.
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
'The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.'
When I was growing up, 'Anna Karenina' was one of my favourite books.
The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
Whatever our fate is or may be, we have made it and do not complain of it." - Vronksy {Anna Karenina}
I've made some films that were very much image based: 'Anna Karenina' and 'Pan,' for instance.
With 'Anna Karenina,' I just think it's a stunning visual tour de force for a director who is at the top of his game.
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