A Quote by David Thewlis
Most parts I've played since 'Naked,' I can barely remember who they were, let alone repeat any lines.
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Growing up, I ate, slept and breathed hockey. I got home from school, I shot pucks, played outdoor hockey, road hockey, go home for dinner... Remember this is pre-Internet, barely any video games, I had a Commodore Vic-20. If you weren't doing your homework, you were outside playing hockey, most likely.
I have literally played the most interesting parts since I turned 40.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
I can barely remember what I wrote yesterday, let alone 10 years ago.
What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
The most ancient parts of truth . . . also once were plastic. They also were called true for human reasons. They also mediated between still earlier truths and what in those days were novel observations. Purely objective truth, truth in whose establishment the function of giving human satisfaction in marrying previous parts of experience with newer parts played no role whatsoever, is nowhere to be found. The reasons why we call things true is the reason why they are true, for to be true means only to perform this marriage-function.
Most parts that can be played by one actor can equally well be played by another, but not this.
Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?
I remember my first commercial. This is really great 'Degrassi' trivia: The character Toby on 'Degrassi,' played by Jake Goldsbie, he and I were in both of our first commercial ever when we were four. It was for Tiger Toys, this old Game Boy-type thing. Both of our lines were, 'Mommy, I can do it!
Our early days - our audiences were always very sparse. We played very obscure places in very obscure parts of the world, mainly Kansas. We played frat parties, we played high school proms, we played clubs.
For me, the goal is to make the most of each player, play them in the position they feel best in. And then repeat, repeat, repeat.
At least since the Industrial Revolution, the world of design has been dominated by the rigors of manufacturing and mass production. Assembly lines have dictated a world made of parts, framing the imagination of designers and architects who have been trained to think about their objects as assemblies of discrete parts with distinct functions.
I had a role in 'DodgeBall,' where I played a pirate who played dodge ball. I'd say 80 to 90 percent of my lines were 'Garrr' or 'Arghh.' And it was all about what the quality of your 'Grr-arr' was.
Depictions of race have changed so much since, like, the '50s, where white people just played every race. But the pendulum swings both ways: I'm Filipino-American. If I had to wait for a Filipino role to come out to get work, I couldn't eat. There are barely any roles out there.
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