A Quote by David Thewlis

It's not the easiest thing to have two actors in a family. — © David Thewlis
It's not the easiest thing to have two actors in a family.
The easiest thing is to react. The second easiest thing is to respond. But the hardest thing is to initiate. – When people ask you to tell them what to do, resist.
I learned and it was exactly what I needed [Transcendental Meditation]. The thing that blew me away was that it was the easiest thing I've ever done- not the easiest meditation, but the easiest thing I've ever learned. I learn a lot of things- that's my job! It's so simple to learn, so simple to practice. And the restoration that comes to you, the benefit across your life; it's changed everything.
I think it's all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That's one thing I do as part of my acting. I don't really separate the two.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
I have to give my family credit for putting up with the racket, because as some of you may know, its not the easiest thing in the world to live with a kid who's trying to become a rock and roll drummer.
Spiritual realization is theoretically the easiest thing and in practice the most difficult thing there is. It is the easiest because it is enough to think of God. It is the most difficult because human nature is forgetfulness of God.
Two things are easiest to do. One, to carry water in a sieve. Two, to still the mind. Freeze water. Breathe calm. Only two secrets to learn.
Passage of time can be mind-numbing to figure out in a screenplay. It's the easiest thing to do in prose, not just by writing 'four years later', but you can shift time in a sentence or two.
I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.
I started playing guitar back in '56. I was a teenager, and guitars had just come in, and I had a thing for it and got one. Started learning lead breaks from songs, because that was the easiest thing to do at the time. I had the guitar for two years before I learned any chords. Really.
I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
The heartthrob thing came in the late 1960s, and to be honest, it was fun! But I was very aware that well-known actors are two people - who you are and who other people think you are. Life only gets tricky if you confuse the two.
I know that you've got to watch how you spend all the dollars. That's not the easiest thing to do. That's not what people think is the most fun thing to do, but it's the right thing to do.
I like to have the actors do their thing. And then brief them what to do differently in take two.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
I watched the video [ with my first commercial] when I was 20, and in the video, there are two families. The first family is this smiling blond Partridge family, a Californian/Aryan kind of thing, all playing guitars, all singing together and harmonizing. And then, there's my family - and in my family, it starts with my mom saying that she feels like a drill sergeant sometimes, and she's yelling at one of my brothers to stop hitting another one of my brothers. It's just like, "Great, we're that family." It felt a little Simpsons versus Flanders.
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