A Quote by David Viscott
Before you decide to have an argument, think about what you really want to accomplish. Do you just want to let your feelings out, or is there a point you are trying to make? What is it?
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I think you make the movie in your head that you have to make, and you have to get it out of you. You have all these pretentious reasons why you want to do it, and you set out to accomplish them. And you think "This is important for what I'm trying to accomplish for the story," and I think those reasons will come through to an audience, and they will find it. That's the best you can do.
I'm not trying to say I accomplished nothing, I'm just trying to say that at this point in my life, I don't want to look at what I've accomplished and hold it like it's my trophy. I've got so much more to do; I don't want to put that gold medal around my neck yet. When I accomplish ten times what I've accomplished already, I'll start thinking about that. But a better way to put it is I kind of forget about it. I do it and I forget about it. And I just work.
We have to have a conversation about whether Obama's plan to increase spending to occupy Afghanistan helps make America a safer country, or not. I think at some point, we may decide that we don't have to have that size military and cost footprint in the country. You look at what you want to accomplish, how many soldiers you need.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
The biggest mistake you can make in trying to talk convincingly is to put your highest priority on expressing your ideas and feelings. What most people really want is to be listened to, respected, and understood. The moment people see that they are being understood, they become more motivated to understand your point of view.
If you want to make movies you need to think on a micro-micro level and figure out how to make them for nothing with people who really care about your movie and really want to make it.
It’s really critical to have your dream life in your mind so that you’re constantly adjusting and designing your business in such a way to accomplish it, because you could very easily be highly successful and not accomplish the lifestyle you really want to accomplish in your heart.
Organize first for knowledge, first with the object of making us know ourselves as a nation, for we have to do that before we canbe of value to other nations of the world and then organize to accomplish the things that you decide to want. Anddon't make decisions with the interest of youth alone before you. Make your decisions because they are good for the nation as a whole.
We [work] really hard to make sure we accomplish everything we want in life, but we don't think about being the president's daughter; we don't think about that, really.
Think about your future possibilities and the fact that your potential is virtually unlimited. You can do what you want to do and go where you want to go. You can be the person you want to be. You can set large and small goals and make plans and move step-by-step, progressively toward their realization. There are no obstacles to what you can accomplish except the obstacles that you create in your mind.
Well, I think again, the worst part of it was just leading up to it, before we got on set, at least for me... dreading this idea that I was just going to suck and I really had strong feelings about that. I just didn't want to be that weak link.
Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?'
When I come into the office, the first thing I do is I plan out what I want to accomplish that day. I write it down in my notebook and make sure I accomplish it before I leave that day.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
We kind of reached this point in life where we don't really want to put out anything just to put something out. We really don't want it to be like, 'Two years are up. You've had your break; now do another record and get it out there.'
As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.
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