A Quote by David Wagner
The character of the English players is very good. It is a working character. If they are on the pitch they like to work.
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You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I think in English history a very interesting character is John Lilburne. Very interesting character because of the way he managed to develop the whole debate about the English civil war into something very different.
English players are as easy to coach. The problem is that the Premier League has the best players in the world, and statistically not all of them can be born in England. But we don't have enough English players: we are working very hard on it.
I feel like I have a good mixture now between European discipline and the flair of Brazilian players. I think it's important to show that character on the pitch, to show your identity and who you are.
German football is like English football. The Germans and the English do not play like a Brazilian side. They have to improve, bring up their young players, who have character.
In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
Players like Didier Drogba, going to watch him play and seeing him off the pitch as well, I got to see how he was with the players and the youngsters. Growing up, he was a good idol. He's a bubbly, funny character. He likes to make people feel welcome. You need those kind of people, wherever you are.
I think that Gollum is really the character who is a very human character, and he's very flawed, like most humans are, and has good and bad sides.
When you start digging into things like character, though, the notion that people have high character or low character is very strong. What's crazy is that my thinking is not a new insight. The very first large-scale study of character, still one of the largest ever, was done in the early 1900s by Hugh Hartshorne, an ordained minister and a scientist.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I just really like the characte [Jasper Hale], and I love the story [Twiglight], I think it's a very strong character and I respect him. It's interesting; I respect the character that I play. I don't understand it, but I do. That's a good thing. I think so, I think so. I never felt like that before with a character.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
I really felt good after working in a film like 'Piku,' as many people could relate to my character. I got letters from my fans telling me how my character resembles to their grandparents.
When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.
When I developed the Ultimate Warrior character and kept evolving the character, I knew, there was no question that it would work because it was working.
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