I don't think comedy is necessarily an attack. It's finding humour in life. I don't think if you're making a joke about something you're automatically demeaning it.
I don't really think myself that sex work is necessarily more demeaning than other kinds of demeaning work.
There used to be such a thing as a sick joke, or laughing at misfortune, because comedy and laughter are a way of coping. And there is a kind of cruelty to it, but you can separate finding something horrible funny, and what you really think of it.
I think there's a difference between making comedy and reporting comedy. When you're a joke teller you can easily fall into the second, you can show up and just say the jokes.
There's a joke in everything, the trick is finding it. The best compliment a joke can get is what Huxley said about Darwin's theory of evolution - 'Why didn't I think of that?'
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
I think my comedy is about finding the good in bad situations - finding the joy. Why be angry? It doesn't help anything.
It's important to remember that life is a joke, and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
It's important to remember that life is a joke and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
I can only do it if there's humour, wit, comedy and drama. If you can get audiences laughing and then suddenly turn them to tears... it's a weird way of making a living making people cry, but I think it's very exciting to be able to send audiences on a rollercoaster ride.
I don't think it's aiming at gags, I think the humour is woven into it. It's part of how the characters operate and how they deal with disaster because they're worldly enough to have a bit of irony and wryness about their own circumstances. So, I think the humour comes out of that.
People are apprehensive about finding 'The Leftovers' funny because it's such a dark circumstance, but I think, really, what the show is about is examining how different people deal with loss. There are elements of humour and levity and irony in that... just like in real life.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Women always think that I'm Chandler, so if I don't joke around for half an hour they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
Ah, Signor Halt,' he said uncertainly, 'you are making a joke, yes?' 'He is making a joke, no,' Will said. 'But he likes to think he is making a joke, yes.
You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.