A Quote by David Walton
You can't be trying to be funny. As an adult actor, sometimes I'll muddle it up by over-thinking things.
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Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
I guess in my house when I was growing up, I was comfortable trying to be funny. And my dad, of course, it bugged him sometimes. He was trying to rest, and I was constantly trying to say something stupid to get a reaction. But I like doing these movies. You can do it in front of the camera and then it's over. I don't have to worry about being in front of too many people.
The British are proud of their ability to create a muddle and then muddle through all difficulties. I must shake the British pride: muddle is not an exclusively British institution. Read descriptions, for instance, of the over-organized, wonderfully systematic and "thorough" German war machine during the last war.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.
I'm not a broad comedy guy. I've been funny in movies, but I'm not a comedian. I'm an actor who's sometimes funny.
I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers
MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.
Trump's not showing up and trying to politely insert himself in political system and the way politicians do things. He's not trying to ingratiate himself. He doesn't care. He's elected to do specific things. His campaign, his agenda, his rallies, a very long list of specific things, and he reminded everybody, if you're thinking he's not gonna build a wall, if you're thinking that was just chatter, I'd change my mind if I were you.
I grew up in Middle America and I don't think my family was very funny, but I watched 'The Princess Bride.' I always wanted to be an actor. I didn't know anything about it. I'd never seen any plays or anything and I watched that movie over and over and over again.
Sometimes I think I'm funny. But then sometimes I see myself, and I think, 'There's somebody trying to be funny.'
Sometimes, it's better to stop thinking and trust your instincts. That's what I used to do when I first started making music, but as time goes on, you can sometimes over-intellectualise things.
Sometimes great things come from doing things quickly and not over-thinking stuff.
I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.
There are some good things and some fantastic ones in Auden's early attitude; if the reader calls it a muddle I shall acquiesce, with the remark that the later position might be considered a more rarefied muddle. But poets rather specialize in muddles and I have no doubt which of the muddles was better for Auden's poetry: one was fertile and usable, the other decidedly is not. Auden sometimes seems to be saying with Henry Clay, "I had rather be right than poetry"; but I am not sure, then, that he is either.
I spent almost two years working on this book ['March'] before we ever had a publisher, before we ever had a title. And when you're reading it, and you're writing it, and you're ingesting it, sometimes a single word just comes up over and over and over again. And if you're trying to capture the essence of what it is you're trying to tell, you don't have a whole lot of space.
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