A Quote by David Walton
When I watch a comedy that's just hitting you over the head with jokes constantly, some really hit, but if they miss, you're like, 'Eh.'
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You can be Michael Moore and make 'Fahrenheit 9/11,' but that's hitting people over the head, and a lot of Americans don't like to be hit over the head. I want to make films that make people walk out and say, 'Wow, I really question if this is all right.'
In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
The comedy community is fairly supportive of human beings in general. There are some things you can teach with comedy that people can't learn by being hit over the head with facts. I think, as comedians, we're trying to change the world. It's slow, but sure.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
He’d actually hit me! It didn’t matter that hitting me wasn’t really like hitting a regular girl and I’d be completely healed in a matter of hours. I was still a freaking girl, and he damned well knew it. I’d just have to hit him back. With a lead pipe. Or an eighteen-wheeler.
You can't really do comedy if you're working with Ryan Reynolds, eh? He outplays everyone in that field, so I couldn't really 'dial it down,' because he was just so much better than me at comedy.
It's fun to do a comedy and hook people in and then hoodwink them into watching a serious movie. I like to lead in with the comedy and then hit them over the head with a drama.
I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might be more subtle than have every single joke hit hard. I would rather the comedy come out of character as opposed to feeling forced. Even if you're giving some laughs up for it.
My theory of hitting was just to watch the ball as it came in and hit it.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
I don't do sketch anymore and sometimes I miss it. But I think what I really miss is that time in my life, it was kind of like college. No kids, no real responsibilities, just comedy, food and late nights.
I don't like swearing on the air. As a matter of fact, I'm not a prude, but... I watch HBO and some of the comedy stuff, and I'm constantly asking myself, 'Why have we gone there?' It seems like it's unfortunate. It's so cheap. It's so easy.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
She just kept hitting me in the head with her fists, over, and over and over.
A lot of people have a hard time living out of a suitcase, being on the road constantly in different cities. For us it's just kind of what we do. You do get homesick. I miss my wife, I miss my home, I miss my dogs, I miss my kitchen, which is something I like to do outside of this is cook. You miss the simple things. But when you look at the big picture we get to see a crazy amount of cities and the people we get to meet, all over the world it kind of makes up for it. It makes you realize how lucky you are because it could be gone tomorrow you just never know.
I've always tended to write comedy, but I'd hate to just write some kind of sitcom or a lighthearted series of jokes and slapstick. I wanted to talk about some deeper things within the comedy.
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