A Quote by David Wenham

Id love to work with the people who really got the film industry going again through the 70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi. — © David Wenham
Id love to work with the people who really got the film industry going again through the 70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.
I'd love to work with the people who really got the film industry going again through the '70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.
In the film industry, we tend to pick up where others have left off, and Id like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.
Id love to work in the States; Id love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
I just really hope that Peter Jackson and New Line Cinema can resolve all their differences. I'm hoping that's going to happen, but we'd have to wait and see. I would love to explore Middle Earth again with Peter.
Now that I've got a way in [to the industry] - because it can feel a bit like, "How can I possibly write a film?" - but now that I've got at least some experience in the film world, I'd absolutely love to do it again.
Well, I certainly don't," said Percy sanctimoniously. "I shudder to think what the state of my in-tray would be if I was away from work for five days." "Yeah, someone might slip dragon dung in it again, eh, Perce?" said Fred. "That was a sample of fertilizer from Norway!" said Percy, going very red in the face. "It was nothing personal!" "It was," Fred whispered to Harry as they got up from the table. "We sent it.
Id never really considered film. If Id thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
Peter Weir is remarkable. He can do anything.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism. And there's so many expectations involved, too. You're going in to see the latest Martin Scorsese or Stanley Kubrick film, you really have high hopes, and you can't help but find that it's not exactly what you had in your head going in. Until you can watch it again, you can't accept the work for what it intends to be. It takes at least a second viewing.
I worked with Cameron Crowe, and Id love to work with him again.
When I was getting my education, I fell in love with the writings of Peter Drucker. He was my hero. I had a naive belief that when I became a manager, it was going to be like Peter Drucker's books. That is, I was going to be the effective executive. I was going to talk to people about their goals. I was going to help them actualize.
I fell for a Spanish woman and followed her to Spain. We got married there, and then I got involved in the Spanish film industry and got the material for 'Barcelona.' It was my way of breaking into the film industry.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
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