A Quote by David Wenham

My biggest ambition when I was younger was to appear on stage at what was then Nimrod, which is the theatre where my father used to take me on Sunday afternoons to see matinees. The most extraordinary things used to occur on that stage.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
When I was younger, in my living room, I used to put 'Cats' the stage musical video on and I used to copy Victoria.
I still remember how my father used to wake me up at 4 A.M. and make me study. He also used to take me for a walk and then always dropped me to school. I was very disciplined, as my father inculcated those values in me. Now that my father is no more, I understand that you should not take your parents for granted.
When I was a kid, I used to watch all those Sunday afternoon matinees featuring all the Hollywood greats.
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
It used to be my ambition to emulate Fred Astaire on the stage and in motion picture musicals.
I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
I was more used to acting onstage, for a long time. I don't know, maybe I was temperamentally more suited to stage stuff. And there are things about the stage that I miss in a lot of ways.
I was crazy into performing when I was younger. I was obsessed with the craft of acting, and theatre, and stage. You know the term 'theatre geek?' I am the extreme theatre geek.
With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.
Originally what I used to love was being on a stage and reacting to a live audience and maybe my calling is more in theatre.
It's so scary to go on stage. I used to throw up before I went on stage, every time.
When I was younger, me and my brother got a video camera, and he used to direct and I used to act. We used to make these silly, stupid short films, which, looking back now, were probably horrible.
I used to love stage above all, but that was when I was a single man. As I get older, the time commitment gets harder for theatre.
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