A Quote by David Whyte
If I don't have time for the writing, it's because I'm not making that time. It's really just a question of whether you want to or not, whether you feel you deserve to write or not.
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If you're going to be a writer, you're going to write because you have to. It's not like other arts and not nearly as rewarding because it's a lot lonelier, and most of the time it's just you alone in a dark room or a coffee shop. But a lot of writers have to write because they're writing for themselves, so whether or not someone sees your work or not- they're still writing because they absolutely have to.
Most of the time I write my best songs just from feeling a strong emotion, so whether I'm just really angry or really sad or really happy, I immediately sit down at a piano and I begin writing a song.
I write all the time, whether I feel like it or not. I never get inspired unless I'm already writing.
Write regularly, whether you feel like writing or not, and whether you think what you're writing is any good or not.
I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.
There is a fluency and an ease with which true mastery and expertise always expresses itself, whether it be in writing, whether it be in a mathematical proof, whether it be in a dance that you see on stage, really in every domain. But I think the question is, you know, where does that fluency and mastery come from?
The only thing worth thinking about, when I write a story, is whether I like it, whether I want to write it, whether it excites me.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
BY YOUR RESPONSE TO DANGER IT IS
EASY TO TELL HOW YOU HAVE LIVED
AND WHAT HAS BEEN DONE TO YOU.
YOU SHOW WHETHER YOU WANT TO STAY ALIVE,
WHETHER YOU THINK YOU DESERVE TO,
AND WHETHER YOU BELIEVE
IT'S ANY GOOD TO ACT.
If a guy were dating my daughter but didn't want to spend the gas money to come pick her up or refused to buy her dinner because it cost too much, I would question whether he were really in love with her In the same way, I question whether many American churchgoers are really in love with God because they are so hesitant to do anything for Him." Crazy Love: Overwhelmed by a Relentless God
There's a bait and switch going on here because the critics want the textbooks to question whether evolution occurred. And of course they don't because scientists don't question whether evolution occurred.
I'm not one of these actresses like, 'Okay, where's the camera? Is it here? Is it here?' I don't even ask the questions because I don't really want to know. I like not performing for a camera but giving it my best every single time whether you're close or whether you're far.
Time flies. Time flies faster every year. Time flies whether you're having fun or not, whether you're living your life big or small, whether you surround yourself with fear or laughter.
I've tried over the years all kinds of ways of going about writing and even just thinking about the idea of writing. There was a time when I decided to try to write a song each day. Whether it was good or bad wasn't important.
The wrong question to ask of a myth is whether it is true or false. The right question is whether it is living or dead, whether it still speaks to our condition.
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