It is the province of poetry to be more realistic and present than the artificial narratives of an outer discourse, and not afraid of the truthful difficulty of the average human life.
No one yet knows what a man's province is, and how far that province, as conceived of today, is artificial.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
We all have two lives: an inner life and an outer life. Your inner life is your soul life, which includes your mind, will and emotions. Your outer life is your physical life. And while God cares about every detail of your life, He is more concerned with your inner life than your outer life.
The artificial separation of politics and culture is nowhere more pronounced than in the discourse of foreign policy and international affairs.
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader.
My expectations are greater than the average fan's but, I'm more realistic than the top prognosticators.
It might be liberating to think of human life as informed by losses and disappearances as much as by gifted appearances, allowing a more present participation and witness to the difficulty of living.
While I am happy to make the occasional foray into educational philosophy - writing, for example, of the difficulty in the contemporary context for a teacher to be 'truthful' - it is more the personal conduct of a life than social institutions that I am concerned to examine.
German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.
An average Christian, in an average church, listen to an average Sunday sermon has achieved a level of arrogance simply unimaginable in scientific discourse -- and there have been some extraordinary arrogant scientists.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
I am afraid of death. You are young, so presumably you're more afraid of it than I am. Obviously we shall put if off as long as we can. But it makes very little difference. So long as human beings stay human, death and life are the same thing.
Poetry has to be something more than a conception of the mind. It has to be a revelation of nature. Conceptions are artificial. Perceptions are essential.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
In poetry, even discourse about doubts must be cast in a discourse that cannot be doubted.
Don't be afraid of showing affection. Be warm and tender, thoughtful and affectionate. Men are more helped by sympathy than by service. Love is more than money, and a kind word will give more pleasure than a present.