A Quote by David Wilkerson

I don't have any fault steps. I play with good technique and good pad level. — © David Wilkerson
I don't have any fault steps. I play with good technique and good pad level.
First, you have to play good football so that you get to play for a good team. Then, hopefully, you achieve such a level that you are invited to play for your national side, in time for a World Cup if possible. Then, obviously, play a good World Cup. That's my dream.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
There is a common mistake people make. They say, 'We need to play the young English boys.' Of course, but only if they are good. How can you measure that? If they are playing with good players and if they can fit into the level of the good players. That's why, because of the level of the Premier League, England has so many talented players.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Since I was little, I've watched Roger play on TV. To me, he plays almost perfect tennis. His technique is perfect. I also like him at the human level; he's a very good person on and off the court.
In my world, the first thing I reach for is the sound. Technique is Ok, but if you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out. What I reach for is ... a sound.
In 2017, Kante has been fantastic and is almost two players at times. He covers every blade of grass and he's not short of technique. He would get in any team because there's room for that type of player no matter what system you play or level you play at.
The heart of the Christian faith is Good News, not good advice, good technique, or good behavior.
You never know if it's any good until people respond to it. You know how it feels when you do it, but there's so many things involved. The thing you do realize is, if the movie isn't any good, then it's your fault. That's what you think about.
Players who play in the Premiership play everywhere - they are strong, quick, and have good technique. It is the best football.
I like them all-pointers, setters, retrievers, spaniels-what have you. I've had good ones and bad of several kinds. Most of the bad ones were my fault and most of the good ones would have been good under any circumstances.
Everyone knows there's real emphasis on technique in La Liga, and I'm a technical player; in that sense, it's a good fit. But all leagues are a good fit for me - I can play anywhere.
I have no ambitions at all! I have none... seriously. I want to be a good father. I want to be a good husband. I want to be a good son, a good brother, a good family member. I don't have any ambition to direct a film or write a play. I like acting.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I see football as a bit like a stairway, and you have to climb it bit by bit. First, you have to play good football so that you get to play for a good team. Then, hopefully you achieve such a level that you are invited to play for your national side, in time for a World Cup, if possible.
I am a defender, but I can play the ball. I have a good technique.
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