A Quote by David Wong
The reason why Hollywood cranks out so many sequels and adaptations is because the audience is so overwhelmed with choices, the only way to get them in the theater is to give them something familiar.
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A why has to be for others. It's something you give to the world. It's the reason your friends love you because this is the thing that you give them and it fulfills them. This is the reason your clients love you or your fans love you because you give them something. It's something to offer, that's what the why is.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
Of course the concept is to give people samples to get them hooked, I get that. But to continuously give away our music, that's the reason why you don't see [many] rap award shows anymore, the reason that you don't see rappers in commercials anymore; because we have allowed our music to be devalued.
There are players like that - you know they have been rascals, and that you can bring them in, give them a new environment and get a length of time out of them, but they will always return to type. You can get something out of them, then you have to get rid of them.
The way that you empower the poor to be able to live in those neighborhoods is not to just move them and give them something, give them the better neighborhood. You have policies that allow them to get out of the neighborhood permanently and afford that neighborhood through hard work.
If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them. And you're not going to do that by bumming them out.
To get rid of villains and knaves, it is necessary to give them a way out. If you don't give them any leeway at all, they will be like trapped rats. If every way out is closed to them, they will chew up everything good.
I'm just appreciative of everything that has happened in my life. I'm overwhelmed, sometimes, by this. When I see where I grew up and the places I've been, it puts a smile on my face because of all the people there I can help. I give them food; I give them money; I try to provide them with a good lifestyle, and do the best I can because that's where I came from. Those are my people.
Life is not always easy. And that is a major reason why it is so precious. Many of life's best rewards are possible only because you must work your way through difficult challenges to get to them. If everything in life were easy, there would be no opportunity for real fulfillment.
The reason why people don't get called back to sequels is because they did badly in the original [movie].
I don't care for horror and fantasy films. I never go to see them in the theater. I know I've played in many of them, but I didn't do them because of their genre - I did them just because I loved their scripts.
Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
Why antagonize somebody for no reason? Why try to garner attention by doing something negative? Why not do something positive on your own merits, instead of somebody else, whether it's to try to antagonize them or draw their ire, or even to have them help you out.
I believe there's no reason why we couldn't be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.
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