A Quote by David Wroblewski
When she walked through the woods (infrequently now) she picked her way along the path, making way for the boy inside to run along before her. It could be hard to choose the time outside over the time within. Almondine from The Story of Edgar Sawtelle
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She had learned, in her life, that time lived inside you. You are time, you breathe time. When she'd been young, she'd had an insatiable hunger for more of it, though she hadn't understood why. Now she held inside her a cacophony of times and lately it drowned out the world. The apple tree was still nice to lie near. They peony, for its scent, also fine. When she walked through the woods (infrequently now) she picked her way along the path, making way for the boy inside to run along before her. It could be hard to choose the time outside over the time within.
She tried to think of what to say to make it all better again, or at least the way it was before she'd made her confession, though she didn't regret having confessed. Perhaps that was what had been wrong with her all along. Now that the lie wasn't between them anymore, maybe she could love him again.
His love for her was a gift he gave her daily, expecting nothing in return. He walked at her side, his love for her a torch to guide her footsteps along the dark path she walked.
The most work he did on [the urinals] was to run a brush once or twice apiece, singing some song as loud as he could in time to the swishing brush; then he'd splash in some Clorox and he'd be through. ... And when the Big Nurse...came in to check McMurphy's cleaning assignment personally, she brought a little compact mirror and she held it under the rim of the bowls. She walked along shaking her head and saying, "Why, this is an outrage... an outrage..." at every bowl. McMurphy sidled right along beside her, winking down his nose and saying in answer, "No; that's a toilet bowl...a TOILET bowl.
She comes majestic with her swelling sails, The gallant Ship: along her watery way, Homeward she drives before the favouring gales; Now flirting at their length the streamers play, And now they ripple with the ruffling breeze.
This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. At any rate I'll never go THERE again!' said Alice as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
Lara walked along the tracks following a path worn by pilgrims and then turned into the fields. Here she stopped and, closing her eyes, took a deep breath of the flower-scented air of the broad expanse around her. It was dearer to her than her kin, better than a lover, wiser than a book. For a moment she rediscovered the purpose of her life. She was here on earth to grasp the meaning of its wild enchantment and to call each thing by its right name, or, if this were not within her power, to give birth out of love for life to successors who would do it in her place.
The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.
Earth is ancient now, but all knowledge is stored up in her. She keeps a record of everything that has happened since time began. Of time before time, she says little, and in a language that no one has yet understood. Through time, her secret codes have gradually been broken. Her mud and lava is a message from the past. Of time to come, she says much, but who listens?
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
I've seen my mom confined to a wheelchair in the last three years of her life. Both her knees had given way, and there was no way she could undergo surgery at her age. Even though I was concerned for her, I didn't know at that time what she had to go through.
Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
There is simply no dignified way for a woman to live alone. Oh, she can get along financially perhaps (though not nearly as well as a man), but emotionally she is never left in peace. Her friends, her family, her fellow workers never let her forget that her husbandlessness, her childlessness - her selfishness, in short - is a reproach to the American way of life.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
She was nervous about the future; it made her indelicate. She was one of the most unimportantly wicked women of her time --because she could not let her time alone, and yet could never be a part of it. She wanted to be the reason for everything and so was the cause of nothing. She had the fluency of tongue and action meted out by divine providence to those who cannot think for themselves. She was the master of the over-sweet phrase, the over-tight embrace.
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