A Quote by David Zayas
Part of an actor's job, in my opinion, is adjust to the characteristics of the director and try to understand to how he tries to work.
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Part of an actors job, in my opinion, is adjust to the characteristics of the director and try to understand to how he tries to work.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
The Argentinians provoke and are always whingeing to the referee to try and change his opinion. It starts before the match. You see their body language, how they gesticulate, how they try to influence the referee. That is not part of the game. That is a lack of respect. It's their mentality and character, and we'll have to adjust.
As an actor, it's always important to understand what the director is after. That, to me, is my job. When I'm acting, I like to ask a lot of questions and understand exactly why the director is doing what they're doing, so that I can provide him or her with the ingredients that they need to get the scene that they want. It's not to challenge them, in any way. It's just so that I can do my job best.
I am a director's actor. I love the environment of the set, I want to be there and I try to understand what or how the character would respond to certain situations.
There are some scenes that you have to lose in order to win something at the end. A good director will keep pointing you that way, but it is also your job as an actor to understand that there are scenes that you do, particularly when you are the lead, where other people get to come in and steal and you have to let them. I understand that but a good director always reminds you where those moments are.
It's part of the job of the actor to torture the director.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.
My attitude as an actor, because I'm a stage actor, is whatever the director tells you to do, you try it. You don't resist what a director is giving you.
As an actor, I just go off the director. I never ask how big the part is. I don't look at it from the perspective of, 'Is this going to be good for my career?' I just look for directors, and I think part of that is I knew I always wanted to be a director.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
I'm just like a photographer or a director. Of course I have an opinion, but I don't think my opinion, or what I want to say... is so obvious 'cause that's not my job. My job is just to give a point of view, not more than that.
As a director, I try not to implement a way for working, for every single actor, across the board. I try to work with each one, on an individual basis.
Your job, as an actor, is never to just do what you're told. That's boring, and life is too short. It's your job to bring something, and it will either be to other people's taste or your own taste, and you have to try things out. Actors say, "Well, as long as the director's happy," but I don't believe that and I don't agree with that. I want the director to be happy, but if I'm not happy, I won't sleep at night.
I consider that part of my job as a pro: to know who you're up against and how the attacking players play, what kind of characteristics they have, their qualities, how they move, their preferred foot.
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