A Quote by Davis Guggenheim
I do a lot of audio-only interviews at first just to capture a feeling and go deeper, as if you're having the most quiet, intimate conversation you've ever had with someone you love. If I can get that tone of intimacy, then the film will have that.
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When we really want to hear, and be heard by, someone we love, we do not go rushing into noisy crowds. Silence is a form of intimacy. That's how we experience it with our friends and lovers. As relationships grow deeper and more intimate, we spend more and more quiet time alone with our lover. We talk in low tones about the things that matter... That is why Christ comes to us when our hearts and minds are still and silent.
The director sets the tone, and if someone's ruling it with an iron fist, people are quiet and the days go long in my experience, when there's a very serious tone, the days just drag. When there's someone who, in between takes, is joking or laughing the days go quick.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again. I like a lot of structure and a lot of lines, but then within that I make room for things to happen that you couldn't have predicted.
Newton had a very good description of gravity, back in the day, and then Einstein came along and dug a little bit deeper. Science is like peeling an onion. You go deeper and deeper and deeper, and it doesn't stop. It's not like you will get to a right answer.
I started so slowly and had so few followers and then it kind of sort of snowballed. I still feel an intimacy on Twitter, which I think a lot of us do. It feels intimate, doesn't it? I love it. I never thought I would.
The most extraordinary thing, you'd be given permission for, and then the weirdest, simplest things, you just wouldn't be able to obtain permissions. And it would go on and on and on forever and ever, and there was no way to know. You have to kind of approach it with an open, quite optimistic mind, no matter what's thrown at you, because it will only ever result in damaging the film if you let any kind of despondency get to you.
Have you ever lost someone you love and wanted one more conversation, one more chance to make up for the time when you thought they would be here forever? If so, then you know you can go your whole life collecting days, and none will outweigh the one you wish you had back.
When I say this, I don't mean that if you can love more people you will not go into marriage. As far as I see, a person who can love more will not go into marriage only for love. He will go into marriage for deeper things. Please understand me: if a person loves many people, then there is no reason to marry someone only because of love - because he can love many people without marriage, so there is no reason.
I like the variety. But basically my choice of films is a small intimate film. Quiet film, no action, just people in relationships. That's what I like the most.
I make films that are very personal, and I always have. It's kind of the only thing that I think I have to offer as a filmmaker: the intimacy I've had with experience in a particular world, so the film comes from things I've seen and things I've felt. It gets transformed by the process. I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way.
'Cuckoo's Nest' was my first film, and I had wanted to do film for some time, but somehow I had not clicked. I would go in for interviews or readings, and I never had the sense that I was anywhere near what they were looking for.
No matter what you’re feeling, the only way to get a difficult feeling to go away is simply to love yourself for it. If you think you’re stupid, then love yourself for feeling that way. It’s a paradox, but it works. To heal, you must be the first one to shine the light of compassion on any areas within you that you feel are unacceptable.
I get asked, 'What do you miss most about being a pastor?' I think it's the intimacy, the incredible gift of intimacy. You go through death with somebody, with their families, and there's an intimacy that comes through that that is just incomparable.
A best friend is someone with whom you can sit on the porch, without a word, and then walk away with the feeling that it was the best conversation that ever had in your life. I would like to see next to me was the man in whose presence my heart beat would be evenly and uniformly, the man next to whom I would be calm, because I was not afraid to be the next day to lose him. And the time would have flowed more slowly, and we could just keep quiet, knowing that to talk with us there is still a whole life. Only one thing makes a dream impossible - it is the fear of failure.
One may discover a new side to his most intimate friend when for the first time he hears him speak in public. He will be stranger to him as he is more familiar to the audience. The longest intimacy could not foretell how he would behave then
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
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