A Quote by Davy Jones

The only people who didn't like The Monkees were the French, and they don't even like themselves, so what's the point? — © Davy Jones
The only people who didn't like The Monkees were the French, and they don't even like themselves, so what's the point?
The only people who didn't like it [The Monkees] were the French, and they don't even like themselves, so what's the point?
The Monkees? I heard that they were quite into their party scene at one point.
When I was 11 I became a massive fan of The Monkees. We had a so-called 'band' of kids on my street and we'd go along to people's houses and mime to Monkees records.
I write. I have read a great deal. I enjoy books. I like the wit of languages. Even French I like. I like to be able to think in different modes. I like to be able to use the language a great deal and carry on rehearsals in French.
I was kind of like the Rhea Perlman of the bar. I was like Carla on “Cheers.” People were more afraid of me. There was a point where I got a little surly. There were only so many chicken wings I could serve before losing the smile on my face.
I was kind of like the Rhea Perlman of the bar. I was like Carla on 'Cheers.' People were more afraid of me. There was a point where I got a little surly. There were only so many chicken wings I could serve before losing the smile on my face.
It's a common mistake for vacationing Americans to assume that everyone around them is French and therefore speaks no English whatsoever. [...] An experienced traveler could have told by looking at my shoes that I wasn't French. And even if I were French, it's not as if English is some mysterious tribal dialect spoken only by anthropologists and a small population of cannibals.
Even a foolish old woman like me knows that lazy people don't think for themselves; they only think about themselves.
Writing in French is one of my ambitions. I'd like to be able to dream one day in French. Italian and French are the two languages that I'd like to know.
As a kid, 'The Monkees' was such a cool show. I had such a thrill saying, 'OMG, I was in a sketch with one of the Monkees.'
I began to understand that there were certain talkers - certain girls - whom people liked to listen to, not because of what they, the girls, had to say, but because of the delight they took in saying it. A delight in themselves, a shine on their faces, a conviction that whatever they were telling about was remarkable and that they themselves could not help but give pleasure. There might be other people - people like me - who didn't concede this, but that was their loss. And people like me would never be the audience these girls were after, anyway.
The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.
The French like to play the intellectual card; they don't like to be over-sexy. The sexiness comes from the way they walk and hold themselves.
I only know English, so I feel like I can be the dopest French rapper ever if I learned French.
French pharmacies probably feel like CVS to French people, but to me, they feel like a real-life version of 'Willy Wonka & the Chocolate Factory.'
Island Records used what we built and tried to cash in on it which is so annoying. So it came time to do Carver City record and Island wanted to do it and we're just like "What's the point?" I mean, at that point they were even admitting like, "Yeah, we're just gonna do what we've always done."
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