A Quote by Davy Rothbart
In general, I always make it my mission to focus on the one person in the audience who seems to be absolutely miserable about being there and try to convert them.
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This is the thing I've never understood: If someone is going to hell for being gay or being a Jew or a Muslim or having an abortion, then what are you worried about? You don't need to try and convert these people or try and save them. If you really believe in your religion, these people are already doomed, so stop worrying about them.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.
I don't like being naïve about the market, and I always try to make things as great as I can. Then I hope that there's an audience that enjoys them, and that hopefully those things get protected.
I always feel that art in general and acting in particular should make the audience a little uncomfortable, to slap them and wake them up.
I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
There comes a point when you either embrace who and what you are, or condemn yourself to be miserable all your days. Other people will try to make you miserable; don't help them by doing the job yourself.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
To this day, even when I hear about problems, as you've probably noticed, I tend to call them challenges. I don't dwell on them, and I immediately focus on how I can convert the challenge into an opportunity.
I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.
The journalist in me always loved relating and socialising and connecting with people, but there came a point where I needed to make a decision to stop that being my focus and really focus on acting - an audience are only really going to believe me as a character to an extent if they don't know me as Lily that well.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
I always try to have a positive and warm intention that is not about me. It is easy to make everything about yourself. But you take the weight off when we make it about the audience. It's about the joy you can bring to somebody else instead of the joy that you get from doing it.
I'm not done yet making people miserable. If they're going to make me miserable, then I'm going to make them miserable.
I'm not a very fancy person. I've been a writer a long time, and right now 'The Hunger Games' is getting a lot of focus. It'll pass. The focus will be on something else. It'll shift. It always does. And that seems just fine.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
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