A Quote by Dawn Angelique

I grew up in the dance school my mother owned, and I see everything in body shapes, everything visual. — © Dawn Angelique
I grew up in the dance school my mother owned, and I see everything in body shapes, everything visual.
I grew up in Mountain Pine, Arkansas. You get no more country than where I grew up. But I also grew up in the Napster / iTunes / Spotify/ iHeart Radio era, and so I see that everything is influenced by everything else, and that's what country music is now.
I'm sure everything has a bearing on what I'm doing. My family is a lower-middle-class family, there's lots of children, seven brothers, two sisters grew up together, fighting with each other, went to school. My mother went to school up to 4th grade. My father went to school up to 8th grade. So that's about the education level we had in the family.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
I grew up dancing, I grew up competing in dance, being on television, and I pursued dance for my own self-reflection and fulfillment, and now as I'm getting older, I see that everybody seeks a greater purpose.
I think you get to a certain point in your life and where you grew up stops reminding you of when you grew up. Everything changes, everything metamorphosizes.
Music and dance is part of everything in New Orleans. So I grew up appreciating it all.
My feeling is that my body and all my things inside me - when I move, when I do everything - are Brazilian because my family is Brazilian, and my mother language is Brazilian Portuguese. But all the thinking in my life, all the treatment with people, I think I'm more from Spain. That's how I grew up.
I love doing concert choreography because everything is about your vision, come heck or high water. Of course, you also take the blame for everything, but it's wonderful to be able to make up dance for dance's sake.
Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.
My mom was a dance teacher, so she put me in dance school when I was a kid. I did everything. I used to take ballet.
I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.
I grew up in Long Island City. When I was growing up, my parents owned a women's clothing store in Queens. It was for older women. I got my bras there, until I realized I didn't want those huge, taupe bras. Everything was beige, with massive amounts of hooks.
I have never seen a picture of my mother. My mother's family never owned a photograph of her, which tells you everything you need to know about where I'm from and what the world was like for the people who gave me life.
I danced a little as a kid here in Canada: in Ottawa at the Elite Dance Studio and at the Top Hat Dance School in Cornwall where I grew up. So I had some experience of having to learn routines.
I grew up with Chief Keef and Lil Reese. We all lived in the same environment, I went to school with them and everything.
As far as cuisine is concerned one must read everything, see everything, hear everything, try everything, observe everything, in order to retain in the end, just a little bit.
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