A Quote by Dawn Angelique
I had to appreciate other things about music, like the writing and the cadence and dealing with producers. I became a student. I wanted to learn the actual idea of what this industry was before I could creatively speak a lot of the things that I wanted to speak.
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I just wanted to make more of a lifestyle record instead of anything else. I wasn't trying to do anything mainstream or nothing like that. I wanted to speak on this time period where I was fed up with a couple things and I had an idea of what I wanted to do.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
Drugs, sex, booze, all the stuff that we wanted to do. The problem was that we didn't want to learn the top 40 'cause most of the music was awful and we had this other idea about what we wanted to do.
The goalkeeper plays in a psychological position, and he's dealing with mental things. I wanted to describe the things I've done wrong and, most of all, what I've done right, so that other people, including those in other professions, could learn from my experiences.
I had made a list of about ten things that I remembered from the original 'Total Recall' before I went back and watched. It had been about twenty years. I wanted to write it out before I watched it again. And I felt if those things stayed with me long enough, those are the things that I wanted to highlight.
The world has wanted me to speak differently than I speak. You know, I speak like my mom; I speak like, you know, like the whitest white dude; I speak like a Def Comedy Jam comedian doing an impression of a white guy.
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
In my mid-twenties, I was with a conducting career, but I had never been to university and I wanted to. There were things I wanted to study in depth. I also wanted to see if I could survive without music.
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
When asked, "What do you think love is?" a lot of people speak of things that are painful or lingering. I wanted to talk about various sides to love. Things such as the excitement, happiness, parting, pain, regret regarding love.
I am so looking forward to it. I made sure I had a strong foundation before I became pregnant and I think that's the most important thing. There were a lot of things that I wanted to do personally so that when the time came, I really knew who I was and could be the best mother.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.
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