A Quote by Dawn Foster

Sitting on public transport is an occasionally exasperating experience if you have the temerity to attempt travelling while female. — © Dawn Foster
Sitting on public transport is an occasionally exasperating experience if you have the temerity to attempt travelling while female.
It's a voluntary act. I cannot punish anyone not taking the public transport, but I want everyone, from the highest ranking officers to the lowest, to take public transport every Wednesday.
Forecasting is a maddening occupation. It is always fascinating and exciting and rewarding. yet it is also regularly exasperating and infuriating, occasionally even deranging.
Nowhere in politics is there such a mismatch between public and private realm as in transport. Everyone on the M6 last weekend would have agreed with Transport Minister Alasdair Darling's reported hatred of cars. They too wanted drivers off the roads and on to public transport. Go to it, Mr Darling, they cried in unison, get rid of all those cars. Except, of course, their own. Other people's cars are traffic. My car is the outward essence of my being. It is my hat, stick and cane. It embodies my freedom as a citizen and my right as a democrat. My car is my soul in flight.
I love travelling full stop - so while I've had some harrowing instances, I never look at them negatively. Memories are made when you're travelling - not when you're chained to your desk.
I had an experience which I could not explain to myself and to others while I was on my way back from a south Mumbai party. It was near Haji Ali. All six of us who were travelling went through this. And this experience which I went through became the vital ingredient of the story of 'Talaash'.
Transport of the mails, transport of the human voice, transport of flickering pictures-in this century as in others our highest accomplishments still have the single aim of bringing men together.
I love travelling, and most scripts have been written while I have been travelling.
There never was a happier or more devoted husband than the male bluebird. He is the gay champion and escort of the female at all times, and while she is sitting, he feeds her regularly.
If you're a filmmaker who grew up wanting to make a movie for people to have that female experience of sitting in the theater together, it's hard to do unless you can compete with the bigger spectacles that are being offered to them.
The hardest thing about being at Sony was not the travel; it was being divorced from the public and private life I had in New York. Travelling as much as I did, while I didn't lose connection with my friends, I lost a sense of belonging.
I try to go out, check out the town, and have a good time. It's a life experience: not everyone gets the chance to see the world and play golf, do the thing you love while travelling.
We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
Our metropolises are blighted by two problems: a lack of public transport and a lack of public loos.
I am singing in an operatic voice for the public, to bring something more to Rock and Roll. Because in a Rock and Roll performance, the singer talks to the public whereas in Opera the singer only talks to a character, inside a story. The public sees this as a picture, I want to transport this picture into the room where the public is.
While my work is usually about the Igbo woman experience, there are many aspects of my female characters that women everywhere can and do relate to.
Most of us have had the experience of sitting by the seashore or on a mountaintop, simply enjoying the beauty of nature, relaxed, content, and present. We've probably also had the experience of sitting by the seashore or on a mountaintop and missing it completely. Being present - or not - is a basic human experience.
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