A Quote by Dawn French

The person I have admired the most in comedy terms would be Eric Morecambe, who is my total hero. — © Dawn French
The person I have admired the most in comedy terms would be Eric Morecambe, who is my total hero.
My mum and dad were incredibly supportive - although I suspect my dad would have preferred me to go the university route. However, I know they were extremely proud when I won the 2011 BAFTA Best Actor for playing comedian Eric Morecambe in 'Eric and Ernie.'
It's sad when you see most of your friends in the business gone, like Tommy Cooper, Frankie Howard, Eric Morecambe, Roy Castle, Les Dawson. They were very dear to me. You no longer have the chance to bump into them at a celebrity do.
My number-one hero in terms of interdisciplinary art is Laurie Anderson, but I've always admired anyone who can think way beyond any one medium.
Most books that come out with a comedy label seem to be, Eric [Wareheim] and I could have written, "This is our story, and this is who we are," and sort of this navel-gazing, narcissistic approach to comedy we're seeing these days.
I never give anyone advice: it can backfire horribly. In the 1950s, Eric Morecambe told Ken Dodd to get his teeth fixed. But those teeth turned out to be one of Dodd's big selling points.
Marriage is a total commitment and a total sharing of the total person with another person until death.
Saddam, as most tyrants, was a total control freak. He wanted total control of his regime. Total control of the country. And to introduce a wild card like Al Qaeda in any sense was just something he would not do.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
It's interesting because with a lot of people who I've met in comedy, it seems not to matter what your background is. In terms of formal schooling - I feel like that's a nineteenth century term - but in terms of where you went to high school or college, or wherever, all that really is irrelevant, I have found, in comedy.
It means a lot to be compared to Eric Roberson. He's a hero of mine.
What really makes a hero a hero is if you take that person's hand, and you walk with that person, and they have a lot of weaknesses, but in the end, they overcome all of their obstacles.
Eric Schmidt from Google is one of my favorite mentors. And Eric would always say this very humbling thing that's really true, which is, he would say, 'Good executives confuse themselves when they convince themselves that they actually do things.'
I spoke to Geoff Johns a lot. We went back and forth, and found a way to bring up the best qualities in his personality and psychology and also fill a niche in Gotham that we've never seen. It became about is there a way to really plant this hero in Gotham and say this is someone you haven't seen before - both in terms of who they are as a person and who they are as a hero.
I feel that in-person contact with people is the most important thing in comedy. While I'm up on stage, I can actually put myself into the audience and adjust my pace and tuning to them. I can get into their heads through their ears and through their eyes. Only through this total communication can I really achieve what I'm trying to do.
I'm not as serious of a person as people make me out to be. Most people would think that I would be less successful in comedy, but I can crack a joke as well as anyone else.
In the high level cartoon world, my number one admired hero would be Chas Addams - really a top, top artist that the 'New Yorker' was lucky to find and employ.
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