A Quote by Dawn Lundy Martin
I think the occupation of my poetry is akin to this desire to be many things at once - things that sometimes conflict. Regarding how the quotidian makes its way into the work, it's all of it, in a way. Like, when I'm writing poems, I'm just picking up scraps of whatever is happening around me - a geographical location, a love affair failed, the day the air felt like rope.
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I try to be like a sponge when I'm around other actors, picking things up about the way they work and how they do things.
I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama.
I felt like I was a writer, and I just thought filmmaking was the best way for me to express that, because it allows me to embrace the visual world that I love. It's allows me to interact with people, to be more social than fiction or poetry, and it felt like the right way for me to tell the stories that felt pressing to me.
I don't deal with conflict well, so sometimes things will happen that will make me feel sort of powerless. But instead of being able to actually deal with the problem, I just suck it up - that's the way I was raised. Music, then, becomes my one avenue for letting things go, and when I get the chance, I let it rip. It's like therapy in that way.
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location. It's there, it's part of the story usually. You have to deal with the elements. You have the sunshine, you have rain, you have fog - it really makes you work harder to try to match things during the day to make it look like it was shot within five minutes, movie time.
My wife, there's certain kinds of housework that she just doesn't see as necessary to do in the way that I do. Things like the state of our closet or where things are in the kitchen. I have this almost unhealthily obsessive desire to have things in their place and she just totally doesn't. And this is a potential point of conflict, of course.
I approach my work the way an actor approaches their work. The only difference is that I do comedy, and my job is to make things funny. My style makes things sound like they're improvisational and happening right then and there.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
I can get really obsessive. I like writing many drafts, and I try not to because it is very time-consuming, especially when you're working on a novel. But I do like to take a story and reorder it, put things in different places. This allows me to see things in a new and sometimes surprising way.
I think there's so many things happening, whether it's gender inequality or immigration, there's just so many issues happening around the world where not doing anything makes you guilty.
I love a lot of things, a whole lot of things / Like / My cousin comes to visit and you know he's from the South /'Cause every word he says just kind of slides out of his mouth / I like the way he whistles and I like the way he walks / But honey, let me tell you that I love the way he talks.
Too many people who don't have anyone they care about. Who think if they don't love anyone else then they're free to do whatever they want. They think they have nothing to lose, and that makes them stronger. If you have nothing to lose, there's nothing you really want, either. You're full of confidence, and look down on people who lose things, who want things, who are happy, or sad sometimes. But that's not the way things are. And it's just not right.
I'm a creative person. I love to write, I love to act, I love to perform, I love to create things with my hands, so I do all of these things that are kind of like hobbies in a way. They're things that I love, so it's not like a work-life balance; it's just a work-life marriage.
I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?
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