A Quote by Dawn O'Porter
I used to hide behind doors pretending to be a mouse listening to the grown up's conversations. I always wanted to hear them plotting peoples deaths so I could dob them in to the police. unfortunately there were no murderers in my family.
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There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
A lot of black people worked with the police as snitches. We used to call them bimpees where I grew up. And, you know, they were afforded special privileges. They may have been paid by the police. But you never knew who was informing on you. We lived either next door to or - two doors away from us was a known informant in Soweto.
Behind closed doors they had what were legendary battles I hear but when the doors opened there was absolute unity. Not a crack could be found. No separation whatsoever. They were locked together for the good of the community.
I'm from Bed-Stuy, Brooklyn. So, you grow up around police officers. Some of them are in your family, some of them you have encounters with. I had a young police officer we were friends with in our group.
My family have always supported my rap - and they know I love them when I rap about them - but I'm just Michael Jackson to them. They care more about me. I express my love for them in a much more personal way on this record. It's about our conversations; my fear, and their advice. I know my sisters are gonna hear "Willie Burke Sherwood", which is named for my grandfather, and cry. I used to do music for me, because my ego needed it, but now I'm doing music for my family and friends who helped me become a rapper.
When his grandchildren had been little, they had asked if they could hide inside the clock. Now he wanted to gather them and open himself up and hide them among his ribs and faintly ticking heart.
One expects decent people to stand up for the good of all. Decent people shut their doors and hide behind them as decent people do. Massacres could never happen if it weren't for decent people.
And I used to assemble the family to hear because I thought that they were so good that even from the point of view of enjoyment people shouldn't miss them, and I got every word of his that I could, and I could see by hard argument there was only the one way for it.
If in physics there's something you don't understand, you can always hide behind the uncharted depths of nature. You can always blame God. You didn't make it so complex yourself. But if your program doesn't work, there is no one to hide behind. You cannot hide behind an obstinate nature. If it doesn't work, you've messed up.
I always wanted to get into rock music so I could cover up my real personality, change my voice, and create a false self to hide behind.
In France, we respect women: we don't beat them; we don't ask them to hide themselves behind a veil as if they were impure.
You have these kids trying to make these grown up decisions because nobody is talking to them. We're talking at them, but we're not listening to them.
The peoples are not awake...[There are dangers] which will render a world organization impossible.
I foresee the renewal of...the secret bargaining behind closed doors. Peoples will be as before,
the sheep sent to the slaughterhouses or to the meadows as it pleases the shepherds.
International institutions ought to be, as the national ones in democratic countries,
established by the peoples and for the peoples.
I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.
Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.
Because it was starting to get dark, and because the streets were crowded, I bumped into a googolplex people. Who were they? Where were they going? What were they looking for? I wanted to hear their heartbeats, and I wanted them to hear mine.
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