A Quote by Dawn O'Porter

When the mini skirt arrived on the scene in the 60s it was both hailed and hated. It represented female liberation, but also encouraged exploitation. It was the uniform for a new breed of feminist, even though most of them didn't even know it.
I find the whole concept of being 'SEXY' embarrassing and confusing. If I do an interview with photographs people desperately want to change me- dye my hair blonder, pluck my eyebrows. Then there's the choice of clothes. I know everyone wants a picture of me in a mini skirt, BUT THATS NOT ME. I feel uncomfortable. I'd never go out in a mini skirt. Personally, I don't actually think it's even that sexy. Whats sexy about saying, 'I'm here with my boobs out and a short skirt, have a look at everything I've got?' My idea of sexy is that less is more. The LESS you reveal the MORE people can wonder.
My friends always laugh because I'm the kind of person who bought the Brooks Brothers school skirt, even though it's not my school's uniform skirt, but just because I liked it. I'm a knee-high socks kind of person.
Even though I was never a Yankee fan until I put on the uniform, when you think about the deep history of this organization, you always knew what the Yankees represented.
Open marriage' is an invention of a feminist era. The idea is to have a marriage where dalliances are tolerated or even encouraged for both men and women, or in some combination where both partners are getting something out of it.
Australia objects to the mini-skirt not on moral but on economic grounds. Australians are no prudes and the lovely, healthy, sporty Australian girls have no reason to hide their knees and thighs. However, the mini-skirt is disastrous for the wool-trade.
Music that boldly and aggressively laid out what the singer wanted, loved, hated — as good rock ’n’ roll did — challenged me to do the same, and so, even when the content was antiwoman, antisexual, in a sense anti­human, the form encouraged my struggle for liberation.
I was encouraged, though, because I saw feminist writers - male and female - calling out the bias. I feel like more and more writers are cognizant of the problems and are willing to try to challenge them.
When I went to school, it was right after the '60s and before this general wave of practical purposefulness had set in.... The idealistic wind of the '60s was still at our backs, though, and most of the people I know who are my age have that engrained in them forever.
Liberation also means that even though I'm a woman I have masculine parts of my temperament which I can safely explore and integrate into my experience.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
[Feminist:] One who believes in the liberation of that which has been suppressed as female in a man.
The unknown makes people uncomfortable. And even living in a city that's as cosmopolitan as New York City is, there's so many things I don't know about other cultures, even though I encounter other cultures - maybe even 18 or 19 of them - when I get on a subway car every day.
When I was a Senator from New York, I represented and worked with so many talented principled people who made their living in finance. But even thought I represented them and did all I could to make sure they continued to prosper, I called for closing the carried interest loophole and addressing skyrocketing CEO pay. I also was calling in '06, '07 for doing something about the mortgage crisis, because I saw every day from Wall Street literally to main streets across New York how a well-functioning financial system is essential.
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
You know, Mamet is not a huge writer of female parts. Most of his movies don't even have women in them, so I'm lucky I'm in it at all.
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