A Quote by Dawn Powell
A novel is like a gland pill - it nips off the cream of my hysterics and gets them running on track in a book where they belong instead of rioting all over my person.
Related Quotes
I love fat people. Every fat person says it's not their fault, that they have gland trouble. You know which gland? The saliva gland.
Like most people, I used to wear clothing off the rack. But having them fitted to me makes a really big difference, especially with pieces like a cocktail dress. Little nips and tucks can take 10 pounds off you.
White pill, blue pill, yellow pill, purple pill; its like swallowing a rainbow every bedtime.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
The global warming hysterics don't just offer opinions and beliefs about greenhouse gases and the like. These are people who speak as if they belong to a cult.
But I'd like the pie heated and I don't want the ice cream on top I want it on the side and I'd like strawberry instead of vanilla if you have it if not then no ice cream just whipped cream but only if it's real if it's out of a can then nothing.
I thought that basketball and soccer were hard. And then I went to track practice. It's just running and running and running. And my event was the 400 hurdles. I ended up qualifying for state. But looking back on it, track was hard.
I hope that the relationship of the title to the novel [ What Belongs To You] gets more complex with each section of the book: that maybe it begins by resonating with the question of prostitution - to what extent can a body be commodified, what exactly are you renting or purchasing when you pay for sex - and deepens over the course of the book to address larger questions of ownership and belonging.
The trouble with calling a book a novel, well, it's not like I'm writing the same book all the time, but there is a continuity of my interests, so when I start writing a book, if I call it 'a novel,' it separates it from other books.
"This is now the twelfth day of rioting in France. They have been rioting for almost two weeks. And France has still not surrendered. That's like a record.
In Hamburg the waiters always had Preludin - and various other pills, but I remember Preludin because it was such a big trip - and they were all taking these pills to keep themselves awake, to work these incredible hours in this all-night place. And so the waiters, when they'd see the musicians falling over with tiredness or with drink, they'd give you the pill. You'd take the pill, you'd be talking, you'd sober up, you could work almost endlessly - until the pill wore off, then you'd have to have another.
Great quotes make the light bulb go off in my mind. If you're like me, you'll jump at the chance to bypass all the churning and scoop the cream right off the top ~ that is what quotes are . . . the cream of our learning!
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
When a person becomes a legend, the very thing that makes them human and knowable is killed off, so it's like being killed over and over and over again, for all eternity.
What track needs to figure out: how to engage us between the races. Instead, the entire off-the-track conversation is about doping. This is how you kill a sport.
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