A Quote by Dawn Powell
Satire is people as they are; romanticism, people as they would like to be; realism, people as they seem with their insides left out.
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My dad's job was to manage apartment complexes, so when people would move out or when people would die or whatever, people left things in their apartments, he would always bring me home people's collection of music that they left behind. I was excited because I didn't really have money to go to the CD store all the time.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
Everyone is screwed up, broken, clingy, and scared, even the people who seem to have it more or less together. They are much more like you than you would believe. So try not to compare your insides to their outsides.
Realism hasn't fallen out of favor with most people, who are interested in people's lives rather than gymnastics of style or literary trends. It's a certain kind of academic who undervalues realism, largely because it is not amenable to endless exegesis.
Satire can always be found everywhere. A people without love for satire is a dead people.
People seem to enjoy things more when they know a lot of other people have been left out of the pleasure.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
I suppose people lost interest in me when I left Liverpool; but it wasn't me who left, it was other people who left me. If people had continued to follow me, they would have seen my two good seasons in Turkey which caught the attention of Besiktas and Galatasaray.
The only thing I consider appalling would be to suddenly become a vegetable and a burden on other people. A soul slowly dying out, trapped in a body in which the insides gradually sabotage me - that, I think, would be terrifying.
I would love to bring to light, besides just educating about Lyme in general, that it's a very complicated disease and it's very, very scary for the people who are dealing with it because your insides don't match your outsides. That can be very infuriating because people would say, "You look great." And you're like, I can't even carry on a conversation with you right now.
You know, the same percentage of people are gay and lesbian as are left-handed. Let's try to figure that out. How can it be that a left-handed person can get married to another left-handed person. Left-handed people can do anything they want. . . . I say, give homosexuals the same rights we give left-handed people.
People want to see realism in action now. People want the actors to perform than the computers performing. Though I have done both, I enjoy the realism of action more.
What would seem like an innocuous meat tenderizer turned out to be the biggest fear of every PA and producer - everyone on set. You know, it's dangerous, because you're running around and you're taking close swings at people with something that really could kill them. It's not like you have a gun with no bullets that you're doing cinematically. You actually have a weapon that you're swinging at people.
Through my satire I make little people so big that afterwards they are worthy objects of my satire and no one can reproach me any longer.
I think a lot of people compare their insides to other people’s outsides.
The critics try to intellectualize my material. There's no satire involved. Satire is a concept that can only be understood by adults. My stuff is straight, for people of all ages.
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