A Quote by Dawn Richard

I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that. — © Dawn Richard
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
Many people have said to me, "What a pity you had such a big family to raise." "Think of the novels and the short stories and the poems you never had time to write because of that." And I looked at my children and I said, "These are my poems, these are my stories."
I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.
I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. ... Poems are poems. Song lyrics are for songs.
People who attack biography choose as their models vulgar and offensive biography. You could equally attack novels or poems by choosing bad poems or novels.
When I was one day old, I learned how to read. When I was two days old, I started to write. By the time I was three, I had finished 212 short stories, 38 novels, 730 poems, and one very funny limerick, all before breakfast.
Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.
Once outside the magic circle the writers became their lonely selves, pondering on poems, observing their fellow men ruthlessly, putting people they knew into novels; no wonder they were without friends.
When I was young, I would write all the time. Novels, plays, and poems. It's like a disease - my life is filled with fantasies, and I have to write them all down.
I think my very best work came out when I was about 60, not when I was 20. I was publishing all the time when I was in my 20s, and some of those poems I still like. And there were a few after 60, and in my 70s, that I like. But they became fewer and fewer.
I know I'll keep writing poems. That's the constant. I don't know about novels. They're hard. It takes so much concentrated effort. When I'm writing a novel it's pretty much all I can do. I get bored. It takes months. Movies do the same thing. It's all-encompassing. It feels like I'm going to end up writing poems, short stories and screenplays.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I was born into the century in which novels lost their stories, poems their rhymes, paintings their form, and music its beauty, but that does not mean I have to like that trend or go along with it.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
I was intentionally curbing the impulse to be funny and hiding the ability. I wrote any number of very serious attempts at poems, short stories, novels - horrible. At a certain point, I recognized that it was fun to write dialogue that had a degree of lightness and humor.
We thought: we're poor, we have nothing, but when we started losing one after the other so each day became remembrance day, we started composing poems about God's great generosity and our former riches.
In America they have to know just what you are-- novelist, poet, playwright... Well, I've been all of them... I think poems and novels and stories spring from the same seed. It's not like, say, playing polo and knitting.
This site uses cookies to ensure you get the best experience. More info...
Got it!