A Quote by Dawn Richard

I'd only do a deal with a label if it allowed me to still be indie and have that indie mentality. I have to have creative control. — © Dawn Richard
I'd only do a deal with a label if it allowed me to still be indie and have that indie mentality. I have to have creative control.
When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
It's such a pleasure hosting 'Indie Hain Hum' season 2. My love for Indie artists and music has grown and shown me a whole new dimension after I stepped in as a host and RJ for this show.
It's a long process transitioning from indie to mainstream, and it's not that easy because it's a different environment when you are in the indie industry.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
Actually, the most entitled people I've met are indie rockers and indie actors, because they really believe their press.
I'd actually love to do more comedy, but what I really wanna do is an indie drama - an intense indie road-trip movie.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.
I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.
I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.
What can we expect from this latest crop of indie directors who have been sucked into the franchise factory? I'm especially curious about 'Star Wars,' which will feature an all-indie crew after J. J. Abrams finishes with 'Episode VII.'
All you needed was a couple of instruments and a few chords and you could be on an indie label.
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