A Quote by Daya

Because of my interest in songwriting, I was invited to visit a friend in L.A. for songwriting sessions with him and his friends. We wrote six songs by the end of the weekend, and 'Hide Away' happened to be one of them!
I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."
I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
There's a standard of songwriting that, when you start immersing yourself in those types of songs, it raises your own bar as a songwriter. There's also simplicity in the songwriting. It's much harder to be simple than it is to be complicated.
I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.
I would like the ambition to go directly into songwriting; individual songs. I want to see what I can do to push myself sonically with songwriting. I'm excited to have no parameters. When the idea shows up and I execute it to the best of my abilities and then I'm done.
I will write a verse or a story and bring it into a songwriting session, because that's what's big in Nashville - the collaborative part of songwriting.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
Baking is more like chemistry, following certain instructions and knowing what comes out in the end. It's almost reassuring! Songwriting is a creative process where you go into a session with nothing and can come out of it with something incredible in the end. I never feel like I'm taking a risk with baking, but always with songwriting.
Songwriting is a craft. Writing good songs on a a consistent basis doesn not happen spontaneously. In fact, most of our best songwriters learned to write good songs by writing a lot of not so good ones. Education matters in songwriting, just as it matters for physicists, chemists, doctors, lawyers and MBAs. Education lays the foundataion on which to build experience.
George felt the group wasn't giving him the freedom he needed to develop his songwriting. But I have to admit the end came a little sooner than I expected.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.
Vangelis, who wrote the music for 'Chariots Of Fire,' is a bit of an idol of mine - his music is stunning. So when I got a call from my manager in the 90s asking if I'd like to do some songwriting for him I couldn't believe it.
Songwriting for me is about zooming into the canvas, not songwriting in a typical sense.
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