A Quote by Deacon Jones

When I was a teenager, I was so dumb my mamma knocked me off the porch with a broom. You wish you had so good a mamma. — © Deacon Jones
When I was a teenager, I was so dumb my mamma knocked me off the porch with a broom. You wish you had so good a mamma.
I have discovered that our great favourite, Miss Austen, is my countrywoman...with whom mamma before her marriage was acquainted. Mamma says that she was then the prettiest, silliest, most affected, husband-hunting butterfly she ever remembers...
There's parts of it that I connect to - being a father and everything - but 'Mamma Mia!' allows me to go out there and be me and have fun. I've never really had the chance to do that with so much freedom.
It was extraordinary to experience 'Mamma Mia!' What an injection of good spirit and heart it was.
A man blessed with a good mamma and a good wife has no right to complain about anything else.
In a way, 'Mamma Mia!' was such a left-field thing for me.
Little children play with dolls in the outer room just as they like, without any care of fear or restraint; but as soon as their mother comes in, they throw aside their dolls and run to her crying, "Mamma, mamma." You too, are now playing in this material world, infatuated with the dolls of wealth, honour, fame, etc., If however, you once see your Divine Mother, you will not afterwards find pleasure in all these. Throwing them all aside, you will run to her.
Yet, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
I was a mamma's boy. She had me at 15, so we were close enough in age where we could play basketball against each other. We used to play one-on-one and race in the yard all the time.
I didn't really realize I was a woman director until I walked onto the set at Pinewood Studios when I did 'Mamma Mia!' and everybody was calling each other 'Governor' and 'Sir'... and then, looking at me, 'Well... good morning!'
I am a hopeless mamma's boy.
I jumped off a bridge in Italy, is that culturally insensitive? Is saying 'mamma mia' culturally insensitive?
If we grew it, we ate it. If Daddy shot it, Mamma cooked it.
The art helps, between the acting gigs. I feel that if I can sing in Mamma Mia! then goddammit, I can hang a few paintings, give people lots of cocktails, and have a good time.
Of course it was Mamma who both stopped my career and crystallized my determination to resume it.
Before getting to my mother's house, I would always think of her on the porch or even on the street, sweeping. She had a light way of sweeping, as if removing the dirt were not as important as moving the broom over the ground. Her way of sweeping was symbolic; so airy, so fragile, with a broom she tried to sweep away all the horrors, all the loneliness, all the misery that had accompanied her all her life.
Meryl's Donna embodied the spirit of ABBA and 'Mamma Mia!' in the first film.
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