A Quote by Deadmau5
There are some great songs - like, I really like 'Snowcone' and 'Whelk Then' and 'No Problem.' I think I'm dissatisfied that it's not written from start to finish; it's over a year's worth of work that doesn't correlate.
Related Quotes
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
I think it would be different to work with a guy like Kanye West or Jay-Z, those guys are so phenomenal, but just to work with a rapper, I don't think is really my thing. I really like songs, like true songs. Like indie songs.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
I have tried to write songs quickly that get scrapped. I've also taken a long time on songs that get scrapped because you can over-think something, and you've squeezed the life out of it. As opposed to work of art, it looks like a really great work of craftsmanship.
Don't be afraid to write bad songs and then start over and re-evaluate. Songs are like plants, in that you grow them. Some grow really fast, and others need pruning and care...And, finally, a song needs to move you. If it doesn't move you, it will never move anybody else.
I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced
The problem as you get older is, from my perspective, after a certain amount of songs, you tend to start writing something and then you stop and say, 'Wait, I think I've written that before.'
There is a silver lining to every cloud and there's some awesome songs that have come from some really like bad experiences, but they're great experiences 'cause then I've got some good songs so it's all good for me.
I haven´t written on piano since It Bites. You can tell my songs that I´ve written on piano with It Bites cause they all go like "wrooash", like Old Man And The Angel and Calling All The Heroes and songs like that. It all tends to happen very quickly, I get two thirds of the song within five minutes and then spend rest of the time trying to ruin it in my head, and then I go back to where I was from the beginning.
Since the songs were written over a five-year period, I think these are little snapshots. Some people call it political or topical, but I think each song is self-contained. I think it fits together as a picture of the last half-decade of time.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
I like to work on New Year's Eve. It has a nice spirit; a nice feel about it. If you are all about the 'year-end' thing at all, then laughing with fellow human beings is a great way to start the new year.
I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.
I always work on the songs all together up until the very end. I never mix a song and think, "Okay, now that one's done." I think that's why it feels like songs are really connected, and I like that. They're all worked on kind of like a little family.
I feel like Hendrick just plays games in a way with NASCAR. I feel like they always start the year off kind of bad to like show NASCAR that they're being nice and cooperating and following the rules and stuff, and then it gets a couple of months in, and then they start cheating and finding some speed.
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