Being a DJ is so easy. I can put headphones in this pocket, USB sticks in the other and that's it - I'm a DJ. But when I do the live show I'm bringing all this fragile analogue synthesizer equipment and dealing with three-hour sound checks and all that.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
I watched my idol and fellow Dutchman Tiesto. He was the first DJ to play live on stage at an Olympic event - the Opening Ceremony of the 2004 Summer Olympic Games in Athens. At eight years old, all I can remember thinking was, 'I want to be a DJ.'
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.
I've called all sports. I was a radio DJ, club DJ, talk show host, hockey, basketball, football; you name it, I've done it.
For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
When you play in a band, you're in phase with people. When you're a DJ, you're totally off-phase. Your work time is 3 A.M. - 5 A.M. and I don't think you can connect. You're miserable the whole time. Whenever I see a DJ in the airport, they are always on the verge of crying.
People don't buy music anymore; they're stealing it. But you can't steal a live show. There's no way to reproduce a real live show. So I think that when you put a great bill together, that people will come out for it.
I can't watch a woman play with herself - to me, it looks like a DJ working the turntables... DJ Diddles.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
I didn't come up as a DJ, so I don't play by DJ rules.
I DJ very often. I'll probably do it more. I'm not available during the week because of the show but I travel most weekends to DJ. I've been doing it for about six years.
Easy way to make someone sound less powerful, just put DJ in front of their name...
..DJ Abraham Lincoln