A Quote by Dean Ambrose

I could totally see myself limping down the aisle when I'm 60, jumping off the top rope and breaking my hip. I could be a hilarious geriatric wrestler. — © Dean Ambrose
I could totally see myself limping down the aisle when I'm 60, jumping off the top rope and breaking my hip. I could be a hilarious geriatric wrestler.
To be a true comic, you have to have a signature move. You ever watch wrestling? And your favorite wrestler has the one move that he always does to finish his opponent off, right? Like when he climbs on the rope, and he always jumps off the top rope and finishes off his opponent - that's what a comic has.
There's one part of the forest in Wales, it's like a natural bowl, and when we drove into it last time, it was getting dark. And as you came over the hill you could see fireworks being set off, the whole place was lit up and you could see this huge crowd all jumping up and down and cheering.
For me, hip-hop was a mirror when young-adult books were not. I could see myself in a Nas song more than I could see myself in a book.
I think of myself as no more than 60. What I could do at 60, I can still do now.
To maintain a youthful mind, write down two or three things you can do that are totally childlike, such as eating an ice cream cone, coloring a picture, or jumping rope. Find something that brings back the sense of fun you had as a child and choose one of these activities to do today.
Having the hip surgery and then still having the pain with it, I was kind of scared jumping off one leg, jumping off two feet. I was scared to be explosive.
Aren’t you ever satisfied? I swear if I were mortal, I’d be limping from our last go-round. If not dead. We really need to find you a hobby other than jumping on top of me. (Acheron)
My favorite wrestler growing up was Dean Malenko. He was a very technical wrestler, and when I trained with Shawn Michaels, he wasn't that kind of a technical wrestler. So, when I finally met Regal in 2001, he was that kind of a wrestler, and all of a sudden, I could ask him things, and he would know what I was talking about and how to do it.
As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
Adrian Neville, who's my best friend, I rode with him on the road. He was the most crisp, athletic, poignant guy - never missed a step. It was insane. I had never seen anybody who could move in a wrestling ring like him; it was like second-nature to him. Flips - name it - agile jumping in and out of the ring effortlessly to the top rope like crazy.
I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.
I had an attack of the gout two days before pulling out, and I went limping off to the war instead of coming limping back from it.
There was a time when guys just had a specialty, like boxer or wrestler or jiujitsu guy. Then came guys who could blend taking you down with also being able to kick your head off.
I could see jealousy coming up, I could see anger, I could see frustration. I could see people's agendas. I could see my kids going wild - because we never had any money, and suddenly, we had money.
I could put a lot of guys down that's top 80 to 100. That's easy - anybody could do that.
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