A Quote by Dean Baquet

My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
I will say that the difference was that when you're an Army journalist, as opposed to a civilian correspondent covering the military, you're very often either a public relations agent or expected to perform that role. I would say that one of the most unexpected benefits of that job was being taught to never try to cover anything up, but rather to get any bad information out right away, so that there would be nothing more to come out later. This was a wonderful lesson to be taught because often the effort to cover up a story becomes a bigger story than the original one.
It doesn't matter how good the enemy's weapons are. If he can't see you, he can't hit you. Cover, cover, cover. Make sure you're never exposed.
The best AC/DC cover I've heard? There was an all-girl cover band in America, the Hell's Belles.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
You know when you take a manager's job it could be terminal. I was making sure there was enough in the bank to cover that, making sure myself and my family would be all right when I took the plunge.
I was with Roy Thomas on a panel and he turned to me and said, "You know, your name is on the cover a magazine every month." I said, "Really?" He pulled out a copy of "Destroyer," and said, "If you cover up the DEST you've got Royer on the cover every month."
I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on.
It doesn't matter that Bush scares the hell out of me. What matters is that he scares the hell out of a lot of very important people in Washington who can't speak out, in the military, in the intelligence community.
A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.
My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.
Cover a war in a place where you can't drink beer or talk to a woman? Hell no!
I'm so proud to be a real woman, a size 14 woman on the cover of a magazine like 'Ralph.' Women's publications rarely put size 14 women on the cover, let alone men's, so I'm really honoured and proud to be on the cover and representing curvy, sexy women out there.
During normal times or boom times, there are some parts of the business that are going to so well, that that can cover for weakness and other parts of the business. What happens during recessions, is you have less windfalls just helping you cover mistakes. You have to be more careful about not making mistakes.
Reporters have a different point of view and a different job. Consequently, to the extent that you can help them turn in an interesting story that their editor is going to like and that's going to further their careers, they're going to give you more ink and cover you.
'LIFE Magazine' decided to do a story about a young actress in Hollywood in 1954. And I made the cover. And I remember that the fellow who was doing the story on me said, 'Listen, kid, I just want you to know, if Eisenhower gets a cold, you're off the cover.'
This site uses cookies to ensure you get the best experience. More info...
Got it!