A Quote by Dean Cain
I'm a single father, I don't like to be away from my son. So I'll go out, make a film and come back. Repeat. And it's worked out very well for the last 11 years.
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The Lord givith and the Lord takith away. I was given a lot of signs from the universe and looking at it in retrospect made me feel like God was telling me I needed to follow my dream. My granny getting in that car accident and being at that hospital when I was going there to see my girl... that whole part of the story where I go to the show and come back to the hospital... and it was almost like as soon as I found out that my granny didn't make it as soon as I got back, I also found out that my son had just come out.
Ironically, it was the father's blessing that actually "financed" the prodigal son's trip away from the Father's face! and it was the son's new revelation of his poverty of heart that propelled him back into his Father's arms. Sometimes we use the very blessings that God gives us to finance our journey away from the centrality of Christ. It's very important that we return back to ground zero, to the ultimate eternal goal of abiding with the Father's in intimate communion. (pg. 243)
It is not easy to go away and come back. One year out of MMA is like five years out of MMA. When you leave and go do something else, like pro wrestling, you're so far behind the times.
The part I hate is when we go out to eat. My youngest son, who's 11, doesn't like to eat in more fancy restaurants, so we often go out to places like Red Robin and such. Well, as you can imagine, in that kind of place I probably have to jump up about 10 times during a meal to take a picture with somebody or sign an autograph.
No press conference announcing a last film. I'd just steal away. Best way because, if by chance after two or three years something interesting comes up, I would not - like Sinatra - have to say: 'Well, I've thought it over and decided to come back.'
There's been a lot of aesthetically rich horror films that have come out in the last several years. 'The Babadook' is this perfectly paced, beautiful film. 'The Witch' is a beautifully made film. 'Get Out' is so intelligently written. I feel like there's so many great things happening right now.
What's Shobhaa De's problem with me and my son? What does she mean by saying, 'Like father, like son?' Let the truth come out.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
I don't ever want to go backwards, I quite like it. I like the freedom and I like the - What I set out to do was to make a big action-adventure movie that ticks all the boxes in terms of audience expectations and spectacle, and yet also make a very personal film and it feels like I've gotten away with that, I've managed that.
I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.
Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.
I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.
Normally, you have all this knowledge from all the films that you've done that you've accumulated over the years, and you can constantly look back when you're in some sort of fix and say, "Well, on so-and-so film, we did this, and it worked out fine." You can point to these things, and you can have that assurance.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
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