A Quote by Dean Cavanagh

You can't live in the digital and die in the analog. — © Dean Cavanagh
You can't live in the digital and die in the analog.

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We believe that the next generation of powerful mobile companies have a deep understanding of the world as a unified whole, where digital and analog experiences affect each other rather than transporting analog experiences into the digital realm.
'Brace the Wave' is an acoustic-electric record recorded with electricity on analog-digital and digitally-analog equipment.
We live in a digital world, but we're fairly analog creatures.
I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
I'm a huge Boards Of Canada fan. They're my favorite contemporary band. The interesting thing about Boards Of Canada is, they use analog and digital recording techniques, and nobody really knows how they get their sound. But I think that very warm, enveloping analog sound.
In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.
You are an analog girl, living in a digital world.
Analog sounds so much better. I frankly can't listen to digital audio for more than a few hours without really starting to hate what I'm listening to. Even decent 24-bit digital resolution really irritates me after a while.
Digital for storage and quickness. Analog for fatness and warmth.
'Muppets' is incredibly analog, 'Alice' is very digital.
Digital might capture the dynamics of what I heard before it went to tape a bit more accurately, but on the other hand, when we'd switch from listening to the digital version to the analog, the change was so profound - the music would suddenly go three-dimensional, and it felt much more engaging.
We are analog beings living in a digital world, facing a quantum future.
Analog is more beautiful than digital, really, but we go for comfort.
Both analog and digital developments have intensified the viral nature of sonic culture.
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