A Quote by Dean-Charles Chapman

When I first signed on to play Tommen, I started speculating about when he was going to die. I sort of knew he wouldn't be the last one on the throne, but Tommen doesn't really deserve to have his throat slit or his stomach jabbed. In a way, Tommen died the way he was - it was a peaceful death.
I think I'd want Tommen'to fight the Hound! And the Mountain! The Hound and the Mountain on one side, and Tommen on the other side. That would be so sick. Tommen would smash it!
That was the hardest thing for me. When it was published that I was going to play Tommen, all the fans of the books were like, 'Oh, he's turning 16' - that was the hardest thing: to play younger and show that.
Death, there will be death, aye. Your lordship lost a son at the Red Wedding. I lost four upon the Blackwater. And why? Because the Lannisters stole the throne. Go to King’s Landing and look on Tommen with your own eyes, if you doubt me. A blind man could see it. What does Stannis offer you? Vengeance. Vengeance for my sons and yours, for your husbands and your fathers and your brothers. Vengeance for your murdered lord, your murdered king, your butchered princes. Vengeance!
I buried him with mine own hands, in a place he showed me once when I was a squire at Storm’s End. No one shall ever find him there to disturb his rest.” He looked at Jaime defiantly. “I will defend King Tommen with all my strength, I swear it. I will give my life for his if need be. But I will never betray Renly, by word or deed. He was the king that should have been. He was the best of them.
THE DEATH OF LEOPOLD GURSKY Leopold Gursky started dying on August 18, 1920. He died learning to walk. He died standing at the blackboard. And once, also, carrying a heavy tray. He died practicing a new way to sign his name. Opening a window. Washing his genitals in the bath. He died alone, because he was too embarrassed to phone anyone. Or he died thinking about Alma. Or when he chose not to.
I believe he died this way on purpose. I believe he wanted no chilling moments, no one to witness his last breath and be haunted by it, the way he had been haunted by his mother's death-notice telegram or by his father's corpse in the city morgue.
Josh wanted to be the one to break the color barrier. When the Dodgers signed Jackie Robinson he knew it was over for him. He wasn't going to make the big leagues, and he also knew that because of his health and his bad knees his career with the Grays was about over. He didn't know what to do with himself. They say a man can't die of a broken heart, and I guess that's true. But I'll tell you this, all of this sure lessened Josh's will to keep going, to keep fighting to stay alive.
I’m going to make the wildly unfounded assumption that Satara’s dead by your hand and not Tory’s. Now, stay with me on this, Cajun. My father slit my throat and murdered my wife because he thought I’d betrayed him by getting married. Before that, he loved me more than his life and I was his last surviving child. His second in command. Now what do you think he’s going to do to you once he sees her body? I can assure you, it won’t be a fun-filled trip to Chuck E. Cheese. (Urian)
The techniques of opening conversation are universal. I knew long ago and rediscovered that the best way to attract attention, help, and conversation is to be lost. A man who seeing his mother starving to death on a path kicks her in the stomach to clear the way, will cheerfully devote several hours of his time giving wrong directions to a total stranger who claims to be lost.
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat.
When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.
When my grandfather died, I started adopting some of his accents, to sort of remind myself of him. A homage. He was a war hero, and he was really great with his hands.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
The whole life of Christ was a continual Passion; others die martyrs but Christ was born a martyr. He found a Golgotha even in Bethlehem, where he was born; for to his tenderness then the straws were almost as sharp as the thorns after, and the manger as uneasy at first as his cross at last. His birth and his death were but one continual act, and his Christmas day and his Good Friday are but the evening and morning of one and the same day. And as even his birth is his death, so every action and passage that manifests Christ to us is his birth, for Epiphany is manifestation.
In many ways, we've been taught to think that the real question is, do people deserve to die for the crimes they've committed? And that's a very sensible question. But there's another way of thinking about where we are in our identity. The other way of thinking about it is not, do people deserve to die for the crimes they commit, but do we deserve to kill?
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